Pair of Candlesticks thumbnail 1
Pair of Candlesticks thumbnail 2
+4
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 7, The Sheikha Amna Bint Mohammed Al Thani Gallery

This object consists of 3 parts, some of which may be located elsewhere.

Pair of Candlesticks

17th century (made)
Artist/Maker
Place of origin

These standing candlesticks or torcieri were probably intended for use in a church and originally would have been gilded which would have added to their impact. The frames are in a typically Baroque style, with wide scrolling patterns almost hidden by acanthus leaves and flower clusters. They may have been made in Venice. The considerable versatility of Italian blacksmiths in the 17th century is demonstrated by their elaborate workmanship.


Object details

Categories
Object type
Parts
This object consists of 3 parts.

  • Standing Candlestick
  • Standing Candlestick
  • Fragment
Materials and techniques
Wrought iron, embossed
Brief description
Pair of standing candlesticks, wrought iron, made in Italy, possibly Venice, 17th century
Physical description
Pair of standing candlesticks, wrought iron, embossed, Baroque style frames in tripod form with wide scrolling patterns, covered by acanthus leaves and flower clusters.
Dimensions
  • Height: 1775mm
  • Width: 560mm
  • Depth: 560mm
Style
Gallery label
PAIR OF STANDING CANDLESTICKS Wrought iron Italy; 17th century These standing candlesticks or torcieri were probably intended for use in church and would have been gilded originally. The frames are in a typically Baroque style, with wide scrolling patterns almost hidden by acanthus leaves and flower clusters. They may have been made in Venice. Museum Nos 439&a-1882(07/1994)
Subjects depicted
Summary
These standing candlesticks or torcieri were probably intended for use in a church and originally would have been gilded which would have added to their impact. The frames are in a typically Baroque style, with wide scrolling patterns almost hidden by acanthus leaves and flower clusters. They may have been made in Venice. The considerable versatility of Italian blacksmiths in the 17th century is demonstrated by their elaborate workmanship.
Bibliographic references
  • Gardner, John Starkie. Ironwork. Part 2: Continental ironwork of the renaissance and later periods. London, 1896. p.17
  • Campbell, Marian. An Introduction to Ironwork. London : Her Majesty's Stationery Office, 1985. 48 p., ill. ISBN 0112904157 Fig.63
Collection
Accession number
439&A-1882

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 24, 2009
Record URL
Download as: JSONIIIF Manifest