Cup and Cover ('Buckelpokal') thumbnail 1
Cup and Cover ('Buckelpokal') thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 6, The Lisa and Bernard Selz Gallery

Cup and Cover ('Buckelpokal')

1609-1629 (made)
Artist/Maker
Place of origin

The form of this lidded cup, covered in a pattern of sharply-embossed lobes, is typical of the work of Nuremberg goldsmiths. It also shows how fifteenth century designs still appealed in the seventeenth century. An early example of this type of cup (now in the Iparmüvészeti Museum, Budapest) dates to 1481; this one in the V&A bears the Nuremberg town assay mark for 1609-21, 140 years later. Cups during this period had a function beyond that of mere drinking vessel. Goldsmiths were often commissioned to make this particular type, known in German as a 'Buckelpokal', or 'lobed cup', as a gift for visiting civic dignitaries or to commemorate family alliances. As this example lacks any inscription or coat of arms, however, the circumstances behind its making are unknown.


Object details

Category
Object type
Materials and techniques
chased, cast, engraved, electro-gilded
Brief description
Cup and cover, silver, parcel-gilt, Nuremberg,1609-1621, mark of Philipp Scheurer (1609-1633) or Paulus Stein (1581-1621).
Physical description
Cup and cover, gilded silver with applied silver elements; the bowl chased and applied with twisted rope moulding separating the lobes from the rim which is engraved with scrolling foliage and birds, the stem with cut and curled silver frills at the junction of foot and bowl; the lid chased, with vase finial from which emerge silver flowers and frills.
Dimensions
  • Base to top of lid finial height: 39.5cm
  • Across the underside of the foot diameter: 8.8cm
  • Across the rim of the lid (maximum diameter of cup) diameter: 11.5cm
Marks and inscriptions
Marked on outer rim of bowl with: Letter 'N' in circular punch, town mark for Nuremberg 1609-29 (Nürnberger Goldschmiedekunst, I.1, p. 503, BZ13). Letters 'PS' in monogram in an oval punch,maker's mark of Paulus Stein (1581-21: see Nürnberger Goldschmiedekunst, I.1, p. 403, no. 862) or Philipp Scheurer (1609-33: see Nürnberger Goldschmiedekunst, I.1, p. 375, no. 793). On outer rim of bowl, on upper rim of lid and on upper rim of foot: letters 'CE' in shaped punch, the tax mark of the Austro-Hungarian Empire, 1806-07.
Gallery label
  • Cup and Cover. Silver gilt. A standing cup, of bulbous, gourd-shaped form, with appliqué silver leaves on the stem, surmounted by a bunch of flowers. German (Nuremberg). 16th centy. H. 15¼ in., diam. 4 5/8 in. Bought, 18l. 502-'54.(1854-1855)
  • STANDING CUP AND COVER GERMAN, town mark of Nuremberg; around 1615 Silver-gilt Mark of Philip Scheurer (master 1609, died 1623) 502-1623(1970-2011)
Object history
This is the only known piece of Nuremberg silver marked with the maker's mark of the letters 'PS' in monogram in an oval punch (see Nürnberger Goldschmiedekunst, I.1, p. 487, no. 1085). Two possible candidates are recorded in the registers of the Nuremberg goldsmiths company, Paulus Stein and Philipp Scheurer, whose careers overlap with the date of the Nuremberg assay mark on the piece (1609-29).
The form of the cup is typical of late-sixteenth and early seventeenth-century Nuremberg goldsmiths' work. The lobed form was extremely popular and these cups were a popular gift among the city élite and as gifts to visiting dignitaries. This particular example bears no inscription, however, or arms, so it is impossible to determine whether it was made in response to a particular occasion.
Summary
The form of this lidded cup, covered in a pattern of sharply-embossed lobes, is typical of the work of Nuremberg goldsmiths. It also shows how fifteenth century designs still appealed in the seventeenth century. An early example of this type of cup (now in the Iparmüvészeti Museum, Budapest) dates to 1481; this one in the V&A bears the Nuremberg town assay mark for 1609-21, 140 years later. Cups during this period had a function beyond that of mere drinking vessel. Goldsmiths were often commissioned to make this particular type, known in German as a 'Buckelpokal', or 'lobed cup', as a gift for visiting civic dignitaries or to commemorate family alliances. As this example lacks any inscription or coat of arms, however, the circumstances behind its making are unknown.
Bibliographic references
  • Pollen, John Hungerford. Ancient and modern gold and silver smiths' work in the South Kensington Museum. London: George E. Eyre and William Spottiswoode, 1878.
  • Nürnberger Goldschmiedekunst 1541-1868. 2 vols in 3, Nuremberg: Verlag des Germanischen Nationalmuseums, 2007. ISBN: 9783936688160 (complete set).
  • Tebbe, Karin. Trinken und Tafeln. Silbergefäβe für den profanen Gebrauch. In: Nürnberger Goldschmiedekunst, II: Goldglanz und Silberstrahl. Nuremberg: Verlag des Germanischen Nationalmuseums, 2007. pp. 165-204. Catalogue of the exhibition held at the Germanischen Nationalmuseum, Nuremberg, 20 September 2007 - 13 January 2008. ISBN 9783936688191
  • Bimbenet-Privat, M., and A. Kugel. Chefs-d'oeuvre d'orfèvrerie allemande. Renaissance et baroque. Paris: Éditions Faton, 2017. ISBN 9782878442359
  • Jones, Kathryn. European Silver in the Collection of Her Majesty The Queen. London: Royal Collection Trust, 2017. ISBN 9781909741379
Collection
Accession number
502-1854

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Record createdJune 24, 2009
Record URL
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