Console Brackets (4) thumbnail 1
Console Brackets (4) thumbnail 2
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Not currently on display at the V&A

Console Brackets (4)

1700-1725 (made)
Artist/Maker
Place of origin

These four carvings were collected as being fine examples of the craft and suitable for the training of carvers. They are four of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.


Object details

Category
Object type
Parts
This object consists of 4 parts.

  • Console Bracket
  • Console Bracket
  • Console Bracket
  • Console Bracket
Materials and techniques
Carved pine
Brief description
Four console brackets carved with scrolls of foliage and with other motifs, different on each - a squirrel, a bird (A), an eagle (B) and a lion (C)
Physical description
Four console brackets carved with scrolls of foliage and with other motifs, different on each - a squirrel, a bird, an eagle and a lion
Credit line
Given by Sir Charles and Lady Allom in memory of their son Lieutenant Cedric Allom RFA
Summary
These four carvings were collected as being fine examples of the craft and suitable for the training of carvers. They are four of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Collection
Accession number
W.632 to C -1921

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Record createdJune 24, 2009
Record URL
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