Architectural Panel
1680-1720 (made)
Artist/Maker | |
Place of origin |
Carvers in training in the 19th century had to learn the many different motifs that had been employed in historic styles and were popular in newly created reproduction rooms. This panel, with its large flaming urn, is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Carved, painted and gilded wood |
Brief description | An architectural panel, in two sections, of carved wood, painted in white and gilded, the panel carved with a central device of a flaming urn with symmetrical shells and scrollwork above and below. |
Physical description | An architectural panel, in two sections, of carved wood, painted in white and gilded, the panel carved with a central device of a flaming urn with symmetrical shells and scrollwork above and below |
Dimensions |
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Credit line | Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA |
Summary | Carvers in training in the 19th century had to learn the many different motifs that had been employed in historic styles and were popular in newly created reproduction rooms. This panel, with its large flaming urn, is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm. |
Collection | |
Accession number | W.420 & A-1921 |
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Record created | June 24, 2009 |
Record URL |
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