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Not currently on display at the V&A

Death at a Battle

Relief
ca. 1850-80 (made)
Artist/Maker
Place of origin

This relief was formerly thought to be a model by the so-called Master of the Leaf Frieze, who was active in the first quarter of the 16th century, producing models in boxwood which were disseminated to be reproduced by craftsmen in lead or bronze. However the dwarf-like figures here exhibit disproportionate muscular bodies and facial types which are uncharacteristic of the first half of the 16th century. The presence of the figure of Death with an hour-glass, a subject which cannot be found in any 16th century medals or plaquettes, is a typical 19th century addition. It is very likely that the relief was made for the collector Frederic Spitzer - in whose collection this relief was - in the 19th century. Spitzer owned several such pieces in boxwood which were fabricated at the time to enhance his collection of models.


Object details

Categories
Object type
TitleDeath at a Battle (generic title)
Materials and techniques
Relief in boxwood
Brief description
Relief, boxwood, Death at a Battle, unknown artist, Germany, ca. 1850-80
Physical description
A battle of five naked men, carrying shields and swords. One wears a plumed helmet. To the left Death as a skeleton lifting an hour-glass.
Dimensions
  • Height: 2.95cm
  • Width: 6cm
Object history
Formerly Spitzer collection. Bequeathed by Salting to the V&A.
Historical context
This relief was formerly thought to be a model by the so-called Master of the Leaf Frieze, who was active in the first quarter of the 16th century, producing models in boxwood which were disseminated to be reproduced by craftsmen in lead or bronze. However the dwarf-like figures here exhibit disproportionate muscular bodies and facial types which are uncharacteristic of the first half of the 16th century. The presence of the figure of Death with an hour-glass, a subject which cannot be found in any 16th century medals or plaquettes, is a typical 19th century addition. It is very likely that the relief was made for Frederic Spitzer in the 19th century. Spitzer owned several such pieces in boxwood which were fabricated at the time to enhance his collection of models.
Subjects depicted
Summary
This relief was formerly thought to be a model by the so-called Master of the Leaf Frieze, who was active in the first quarter of the 16th century, producing models in boxwood which were disseminated to be reproduced by craftsmen in lead or bronze. However the dwarf-like figures here exhibit disproportionate muscular bodies and facial types which are uncharacteristic of the first half of the 16th century. The presence of the figure of Death with an hour-glass, a subject which cannot be found in any 16th century medals or plaquettes, is a typical 19th century addition. It is very likely that the relief was made for the collector Frederic Spitzer - in whose collection this relief was - in the 19th century. Spitzer owned several such pieces in boxwood which were fabricated at the time to enhance his collection of models.
Bibliographic references
  • Trusted, Marjorie, ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London: 2007, p. 175, pl. 325
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 81
  • Jopek, Norbert. German Sculpture 1430-1540, A Catalogue of the Collection in the Victoria and Albert Museum. London, 2002, p. 155, cat.no. 73
Collection
Accession number
A.502-1910

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Record createdJune 24, 2009
Record URL
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