The Virgin and Child thumbnail 1
The Virgin and Child thumbnail 2
Not currently on display at the V&A

The Virgin and Child

Panel
15th century (made)
Artist/Maker
Place of origin

This stucco relief of the Virgin and Child is made in the style of Donatello in Florence in the first half of the 15th century.

Images of the Virgin and Child were found in virtually every noble household in 15th-century Florence. They acted as a focus for personal devotion and were thought to protect the family from harm. They were believed to have talismatic and protective properties. Some compositions, particularly those associated with miracle-working images, became very popular and were widely reproduced.


Object details

Categories
Object type
TitleThe Virgin and Child
Materials and techniques
Pigmented stucco
Brief description
Relief, stucco, The Virgin and Child, style of Donatello, Italy, Florence, first half of 15th century
Physical description
This is a relief in pigmented stucco representing the Virgin and Child. The Virgin is shown in half-length behind a parapet with head turned three-quarters to the right. She supports the Child with her left hand, and caresses his shoulder with her right. The Child stands on the parapet, with left knee bent and left foot advanced, and touches the Virgin's veil with his left hand. Above are two foliated swags with three cherub heads. The background is slightly convex and the relief is recessed within a border of frame which recedes at the top.
Dimensions
  • Height: 78.7cm
  • Width: 63.8cm
Object history
Bought from the Gigli-Campana Collection for £15, in 1861.
Subject depicted
Summary
This stucco relief of the Virgin and Child is made in the style of Donatello in Florence in the first half of the 15th century.

Images of the Virgin and Child were found in virtually every noble household in 15th-century Florence. They acted as a focus for personal devotion and were thought to protect the family from harm. They were believed to have talismatic and protective properties. Some compositions, particularly those associated with miracle-working images, became very popular and were widely reproduced.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1861. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 28
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 22
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, pp. 96, 97
  • Kokole, Stanko. 'Zu Madonnenreliefs des Niccolò di Giovanni Fiorentino'. In: Mitteilungen des Kunsthistorischen Institutes in Florenz, xxxvii, 1993, 2/3, no 19, p. 219
  • Jolly, Anna. Madonnas by Donatello and his Circle. Phd Thesis, Cambridge 1992, pp. 33, 34-35, cat. 44.6 – pp. 106-107
Collection
Accession number
7590-1861

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Record createdJune 24, 2009
Record URL
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