Venus thumbnail 1
Venus thumbnail 2
Not currently on display at the V&A

Venus

Statuette
ca. 1600 (made)
Artist/Maker
Place of origin

This bronze statuette and firedog figure representing Venus was made in about 1600 in Italy. It is possible that the letter G.P. are the marks of the foundry.
Firedogs or andirons were placed within the fireplace and would have been used to hold utensials which were required for tending the fire. Often, firedogs do not even appear on inventories, which indicates their status as standard household objects, not necessarily worthy of particular note.
Firedogs stand either side of the fireplace and hold burning logs above the floor in order to allow an updraft of air.


Object details

Categories
Object type
TitleVenus (generic title)
Materials and techniques
Bronze. Quaternary alloy with antimony and possibly silver.
Brief description
Statuette, firedog figure, bronze, Venus, Italian, ca. 1600
Physical description
Bronze statuette of Venus standing naked. Her body is bent slightly backwards and to the left. Her right hand touches her breast, her left supports drapery on her hip. The drapery is also held by a band running across the body and over the left shoulder, and falls at the back of the left leg. The right foot is raised and the knee bent.
Dimensions
  • Height: 30cm
  • Width: 10.5cm
  • Diameter: 6cm (Note: of base)
  • Weight: 1,652.5g
Marks and inscriptions
'G. P.' (possibly the foundry mark )
Object history
Bought from Alfred Spero and Kerin Ltd. in 1929.
Production
The Venus is inscribed with the letters 'GP' with decorated circles around the base. This might be a foundry mark most likely and not as formerly thought, the initials of Girolamo Paliari, a little-known sculptor.
Subject depicted
Summary
This bronze statuette and firedog figure representing Venus was made in about 1600 in Italy. It is possible that the letter G.P. are the marks of the foundry.
Firedogs or andirons were placed within the fireplace and would have been used to hold utensials which were required for tending the fire. Often, firedogs do not even appear on inventories, which indicates their status as standard household objects, not necessarily worthy of particular note.
Firedogs stand either side of the fireplace and hold burning logs above the floor in order to allow an updraft of air.
Bibliographic references
  • Victoria and Albert Museum, Review of the Principal Acquisitions During the Year 1929. London, pp. 6, 7
  • Cf. Planiscig, L. Venezianische Bildhauer der Renaissance. Wien, 1921, pp. 542-543, fig. 589
  • Cf. Goldschmidt, Fritz. ed.Königliche Museen zu Berlin. Beschreibung der Bildwerke der Christlichen Epochen. Zweiter Band. Die Italienischen Bronzen der Renaissance und des Barock. Berlin, 1914, no. 226
  • Cf. Il Santo: rivista francescana di storia dottrina arte. Padua, December 1931
  • Motture, Peta. “The Production of Firedogs in Renaissance Venice”, in: Motture, Peta (ed.), Large Bronzes in the Renaissance, National Gallery of Art, Washington, 2003, pp. 276-307 pp. 283, 296, 297, ill. p. 288
  • Motture, Peta. “The Production of Firedogs in Renaissance Venice”, in: Motture, Peta (ed.), Large Bronzes in the Renaissance, National Gallery of Art, Washington, 2003, pp. 276-307
Collection
Accession number
A.168-1929

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Record createdJune 24, 2009
Record URL
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