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Constantine

Plaquette
15th century (made)
Artist/Maker
Place of origin

This plaquette depicting Constantine (or Augustus) is made by Cristoforo di Geremia. The centre is the obverse of a medal by da Geremia. The border is commonly found with circular plaquettes by Moderno.
Da Geremia (ca. 1430-ca. 1475) was a sculptor and medallist of Mantua, whose name appears also as Christophorus Hierimia, Christophorus de Geremiis de Mantua. Filaretus mentions him in 1460 as one of the best contemporary sculptors.
Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings.


Object details

Categories
Object type
TitleConstantine (generic title)
Materials and techniques
Bronze
Brief description
Plaquette, bronze, Cristoforo (or Augustus), by Cristoforo da Geremia, North Italy, 15th century
Physical description
Laureate head to left, draped bust. Wide border. Pierced with two holes.
Dimensions
  • Including border diameter: 12cm
  • To inner rim diameter: 6.9cm
Object history
From the Salting bequest.

Historical significance: The centre is the obverse of a medal by da Geremia. The border is commonly found with circular plaquettes by Moderno.
Subject depicted
Summary
This plaquette depicting Constantine (or Augustus) is made by Cristoforo di Geremia. The centre is the obverse of a medal by da Geremia. The border is commonly found with circular plaquettes by Moderno.
Da Geremia (ca. 1430-ca. 1475) was a sculptor and medallist of Mantua, whose name appears also as Christophorus Hierimia, Christophorus de Geremiis de Mantua. Filaretus mentions him in 1460 as one of the best contemporary sculptors.
Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings.
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 73
  • Maclagan, Eric. Catalogue of Italian Plaquettes . London: Victoria and Albert Museum, 1924, p. 47
Collection
Accession number
A.458-1910

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Record createdJune 24, 2009
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