Not currently on display at the V&A

Vulcan forging arrows for Cupid

Plaquette
ca. 1500 (made)
Artist/Maker
Place of origin

Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings.
Whilst religious plaquettes had both public and private functions, and mounted religious plaquettes, known as paxes, were held up during mass for the kiss of peace, those with a secular subject matter were usually for private, personal use. They were used as pendants, desk ornaments, and applied to functional objects such as pounce-pots. They were also valued as fine miniature works of art. Plaquettes had a role in disseminating classical imagery and designs throughout Europe, in the same manner as the contemporary print. The subject matter was often a miniature composition, only rarely a single isolated figure.

Vulcan is the Roman god of fire and blacksmithing who forged the weapons of many gods. He was the son of Jupiter and Juno. Jupiter threw him down to earth from the Olympus in anger, which made him crippled.


Object details

Categories
Object type
TitleVulcan forging arrows for Cupid (generic title)
Materials and techniques
Bronze
Brief description
Plaquette, bronze, Vulcan forging arrows for Cupid, North Italy, ca. 1500
Physical description
Vulcan, naked, seated to left forging on an anvil the arrows held out by Cupid who stands to the right. Behind him Venus is seated in flowing drapery holding up his bow. Rocky foreground. Above inscription.
Dimensions
  • Diameter: 5.3cm
Marks and inscriptions
'AMOR VINCIT OMNIA'
Translation
'Love prevails all'
Object history
NB. While the term ‘crippled’ has been used in this record, it has since fallen from usage and is now considered offensive. The term is repeated in this record in its original historical context.

From the Salting bequest.
Subjects depicted
Summary
Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings.
Whilst religious plaquettes had both public and private functions, and mounted religious plaquettes, known as paxes, were held up during mass for the kiss of peace, those with a secular subject matter were usually for private, personal use. They were used as pendants, desk ornaments, and applied to functional objects such as pounce-pots. They were also valued as fine miniature works of art. Plaquettes had a role in disseminating classical imagery and designs throughout Europe, in the same manner as the contemporary print. The subject matter was often a miniature composition, only rarely a single isolated figure.

Vulcan is the Roman god of fire and blacksmithing who forged the weapons of many gods. He was the son of Jupiter and Juno. Jupiter threw him down to earth from the Olympus in anger, which made him crippled.
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 72
  • Maclagan, Eric. Catalogue of Italian Plaquettes . London: Victoria and Albert Museum, 1924, p. 58
Collection
Accession number
A.456-1910

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Record createdJune 24, 2009
Record URL
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