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Hercules and the Lernaean Hydra

Plaquette
ca. 1500 (made)
Artist/Maker
Place of origin

This plaquette, depicting Hercules and the Lernaean Hydra is made by the Master of the Labours of Hercules, who was a follower of Moderno.
The design can be roughly dated by the appearance of the same composition in an architectural relief on the Porta della Rana of the Duomo at Como (1507). It represents the second labour, the killing of the several-headed monster with ravaged the country of Lerna. Each time a head was cut off, two more grew in its place. Hercules overcame the creature, with a companion's help, using a burning torch to seal each neck, and burying the last immortal head under a rock.


Object details

Categories
Object type
TitleHercules and the Lernaean Hydra (generic title)
Materials and techniques
Bronze
Brief description
Plaquette, bronze, Hercules and the Lernaean Hydra, by the Master of the Labours of Hercules, Italy, ca. 1500
Physical description
Hercules stands naked, except for the lion's skin, his club lifted in his right hand. With his left hand he throttles the hydra, a monster with a woman's head and breasts and a serpent's body.
Dimensions
  • Height: 9.3cm
  • Width: 7.5cm
Object history
From the Salting bequest.

Historical significance: The design can be roughly dated by the appearance of the same composition in an architectural relief on the Porta della Rana of the Duomo at Como (1507). It represents the second labour, the killing of the several-headed monster with ravaged the country of Lerna. Each time a head was cut off, two more grew in its place. Hercules overcame the creature, with a companion's help, using a burning torch to seal each neck, and burying the last immortal head under a rock.
Production
the Master of the Labours of Hercules, was a follower of Moderno.
Subjects depicted
Summary
This plaquette, depicting Hercules and the Lernaean Hydra is made by the Master of the Labours of Hercules, who was a follower of Moderno.
The design can be roughly dated by the appearance of the same composition in an architectural relief on the Porta della Rana of the Duomo at Como (1507). It represents the second labour, the killing of the several-headed monster with ravaged the country of Lerna. Each time a head was cut off, two more grew in its place. Hercules overcame the creature, with a companion's help, using a burning torch to seal each neck, and burying the last immortal head under a rock.
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 68
  • Maclagan, Eric. Catalogue of Italian Plaquettes . London: Victoria and Albert Museum, 1924, p. 32
  • Pope-Hennessy, John. Renaissance Bronzes from the Samuel H. Kress Collection. Reliefs - Plaquettes - Statuettes - Utensils and Mortars . London: 1965, p. 51, no 167
  • Martini, Luciana. Piccoli bronzi e placchette del Museo Nazionale di Ravenna. Bologna: University Press, 1985, pp. 155-156, no 36
Collection
Accession number
A.444-1910

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Record createdJune 24, 2009
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