Not currently on display at the V&A

Aeneas embarking to cross the Styx (?)

Plaquette
late 15th century to early 16th century (made)
Artist/Maker
Place of origin

This plaquette probably depicts Aeneas embarking to cross the Styx and is made by the Coriolanus Master, in North Italy in the late 15th or early 16th century.

Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings.
Plaquettes in Renaissance Italy developed from the growing interest in the visual and intellectual cultures of the classical world, and had their place in the collection and display of classical art and artefacts.


Object details

Categories
Object type
TitleAeneas embarking to cross the Styx (?) (generic title)
Materials and techniques
Bronze
Brief description
Plaquette, bronze, Aneas embarking to cross the Styx (?), by the Coriolanus Master, North Italy, late 15th to early 16th century
Physical description
A naked warrior with helmet and shield standing between two naked unarmed men. The steering oar has a nereid on the blade, the surface of the water is broken with rippling waves.
Dimensions
  • Height: 4.3cm
  • Width: 5.2cm
Object history
From the Salting bequest.
Subjects depicted
Summary
This plaquette probably depicts Aeneas embarking to cross the Styx and is made by the Coriolanus Master, in North Italy in the late 15th or early 16th century.

Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings.
Plaquettes in Renaissance Italy developed from the growing interest in the visual and intellectual cultures of the classical world, and had their place in the collection and display of classical art and artefacts.
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 70
  • Maclagan, Eric. Catalogue of Italian Plaquettes . London: Victoria and Albert Museum, 1924, p. 40
Collection
Accession number
A.445-1910

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 24, 2009
Record URL
Download as: JSONIIIF Manifest