Julia thumbnail 1
Not currently on display at the V&A

Julia

Medal
1500-1502 (made)
Artist/Maker
Place of origin

This medal depicts the beauty Giulia and is made by Antico, or in full called Pier Jacopo di Antonio Alari-Bonacolsi.
The sitter of the medal is unidentified, although it was once thought to be the famed beauty Giulia Gonzaga Colonna.
Antico based this particular reverse scene on the narrative reliefs found on classical sarcophagi. Various features make this the master's finest medal and indicate that it is his last.. This is the most classical in mood due to the sitter's stoic expression. With this medal Antico reached a true maturity.
Antico was an Italian sculptor and goldsmith. He was nick-named Antico, because in his work he related heavily to Antiquity. He re-created small scale statuettes of famous antique examples. He was active at the Gonzaga court at Mantua and made many bronzes for the court, notably for Ludovico, Bishop of Mantua and Isabella d’Este, wife of Francesco II Gonzaga, 4th Marchese of Mantua. He was also a restorer of antique statues and an adviser to art collectors.


Object details

Categories
Object type
TitleJulia (generic title)
Materials and techniques
Bronze
Brief description
Medal, bronze, Giulia, by Antico (Pier Jacopo di Antonio Alari-Bonacolsi), North Italy, ca. 1500-02
Physical description
Medal depicts on the obverse the bust to the right of a young woman, wearing a necklace, and a garland about her head. Inscription. On the reverse is a battle of Greeks and Amazons. below a trophy of arms. Inscription.
Dimensions
  • Diameter: 3.5cm
Marks and inscriptions
  • 'DIVA . I . IVLIA . PRIMVM . FELIX' (obverse)
    Translation
    'The divine Giulia happy for the first time'
  • 'DVBIA . FORTVA' (reverse)
Object history
From the Salting bequest.

Historical significance: Antico based this particular reverse scene on the narrative reliefs found on classical sarcophagi. Various features make this the master's finest medal and indicate that it is his last. This is the most classical in mood due to the sitter's stoic expression. With this medal Antico reached a true maturity
Historical context
The sitter of the medal is unidentified, although it was once thought to be the famed beauty Giulia Gonzaga Colonna.
Subject depicted
Summary
This medal depicts the beauty Giulia and is made by Antico, or in full called Pier Jacopo di Antonio Alari-Bonacolsi.
The sitter of the medal is unidentified, although it was once thought to be the famed beauty Giulia Gonzaga Colonna.
Antico based this particular reverse scene on the narrative reliefs found on classical sarcophagi. Various features make this the master's finest medal and indicate that it is his last.. This is the most classical in mood due to the sitter's stoic expression. With this medal Antico reached a true maturity.
Antico was an Italian sculptor and goldsmith. He was nick-named Antico, because in his work he related heavily to Antiquity. He re-created small scale statuettes of famous antique examples. He was active at the Gonzaga court at Mantua and made many bronzes for the court, notably for Ludovico, Bishop of Mantua and Isabella d’Este, wife of Francesco II Gonzaga, 4th Marchese of Mantua. He was also a restorer of antique statues and an adviser to art collectors.
Bibliographic references
  • Scher, Stephen K, The Currency of fame: portrait medals of the Renaissance, New York, National Gallery of Art (U.S.), Frick Collection., 1994 pp.17-18
  • Hill, George Francis. A Corpus of Italian Medals of the Renaissance, Before Cellini, Volume I, Text. London: British Museum, 1930, no. 214
  • Allison, Ann Hersey. The Bronzes of Pier Jacopo Alari Bonacolsi called Antico, Vienna, 1994, pp. 45, 86-7
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 26
  • Trevisani, Filippo and Gasparotto, Davide (eds.), Bonacolsi l'Antico: uno scultore nella Mantova di Andrea Mantegna e di Isabelle d'Este, Milano : Electa, 2008 VIII.9
Collection
Accession number
A.210-1910

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 24, 2009
Record URL
Download as: JSONIIIF Manifest