St Sebastian thumbnail 1
Not currently on display at the V&A

St Sebastian

Statue
first half of 16th century (made)
Artist/Maker
Place of origin

This statue in walnut represents St Sebastian and its style suggests the Lombard region as its origin.

The legend goes that Saint Sebastian served in the imperial army of Diocletian as one of the latter's favourites. But when it was revealed that he was a Christian, Diocletian let him be tied to a tree and he was shot with arrows and left there to die. When a widow called Irene came to bury him, she discovered that no arrow had touched any vital parts of the body and she could heal him back to health. Sebastian then again confronted himself before Diocletian with his sins and was then beaten to death.

In this statue there are no arrows.


Object details

Categories
Object type
TitleSt Sebastian (generic title)
Materials and techniques
Walnut
Brief description
Statue, walnut wood, St Sebastian, North Italy (Lombardy), first half of 16th century
Physical description
The figure of Saint Sebastian is represented on a deep circular base. His left arm is tied behind his back to a broken column, and his right forearm is raised. His head is turned slightly to his left, and his right knee is bent, the weight resting on the left leg. His loin-cloth flutters out behind. On the front of the pedestal is a blank shield with an embossed centre.
Dimensions
  • Height: 103.5cm
Object history
From the Salting bequest.
Production
North Italy. Formerly ascribed to Caradosso.
Subject depicted
Summary
This statue in walnut represents St Sebastian and its style suggests the Lombard region as its origin.

The legend goes that Saint Sebastian served in the imperial army of Diocletian as one of the latter's favourites. But when it was revealed that he was a Christian, Diocletian let him be tied to a tree and he was shot with arrows and left there to die. When a widow called Irene came to bury him, she discovered that no arrow had touched any vital parts of the body and she could heal him back to health. Sebastian then again confronted himself before Diocletian with his sins and was then beaten to death.

In this statue there are no arrows.
Bibliographic references
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 115
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century. London: Her Majesty's Stationery Office, 1964, p. 552
  • Maskell, A. Wood Sculpture. London, 1911, p. 258, pl. XV
  • 'Salting Bequest (A70 to A1029-1910) / Murray Bequest (A 1030 to A 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 1
Collection
Accession number
A.73-1910

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Record createdJune 24, 2009
Record URL
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