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Queen Victoria on horseback

Statuette
1853 (made)
Artist/Maker
Place of origin

The composition of this statuette (one of several extant versions) is derived from a similar equestrian group executed in marble by Thomas Thornycroft and his wife Mary, which was exhibited at the 1851 International Exhibition. The pose of the horse appears however to be taken from an engraving in the Illustrated London News of 2nd July 1853, commemorating Queen Victoria reviewing the troops at Chobham. The statuettes are therefore adaptions rather than straightforward reductions of the 1851 statue. Thornycroft later used this composition for a colossal bronze equestrian statue of Queen Victoria of 1869 to act as a pendant to that of Prince Albert, erected at Lims Street, St George's Plateau, Liverpool.

The present piece is one of around fifty which were commissioned by the Art Union of London to be distributed as annual prizes between 1854 and 1859.

After an ill-suited apprenticeship as a surgeon, Thomas Thornycroft (1815-1885) was sent to London and apprenticed to the sculptor John Francis (1780-1861). His wife Mary was the daughter of John Francis. He made an over-life sized plaster equestrian statue of Queen Victoria for the Great Exhibition of 1851. His monumental equestrian statue of Boadicea and her daughters now stands on Westminster Bridge. He also made the marble group 'Commerce' for the base of the Albert Memorial in Hyde Park.



Object details

Categories
Object type
TitleQueen Victoria on horseback (generic title)
Materials and techniques
Bronze
Brief description
Statuette, bronze, Queen Victoria on horseback, by Thomas Thornycroft, English, 1853
Physical description
The statuette depicts Queen Victoria wearing a feathered hat, seated side-saddle on a horse with its right foreleg raised. Signed and dated.
Dimensions
  • Height: 55cm
Marks and inscriptions
'T.THORNYcroft FECT/LONDON 1853' (on the base)
Object history
Originally in the Handley-Read Collection. Bought from Thomas Stainton, Buckinghamshire in 1972 for £275.
Historical context
This statuette depicts Queen Victoria reviewing the troops at Chobham on 21st June 1853 and is one of about 50 commissioned by the Art Union of London for distributuion as annual prizes 1854-9. The model was completed in February 1854 when it was submitted for Queen Victoria and Prince Albert's approval. The Builder stated that it 'elicted warm commendation' from the royal couple and went on to praise the work considering that the statuettes would 'form most covetable prizes' for subscribers.
Subjects depicted
Summary
The composition of this statuette (one of several extant versions) is derived from a similar equestrian group executed in marble by Thomas Thornycroft and his wife Mary, which was exhibited at the 1851 International Exhibition. The pose of the horse appears however to be taken from an engraving in the Illustrated London News of 2nd July 1853, commemorating Queen Victoria reviewing the troops at Chobham. The statuettes are therefore adaptions rather than straightforward reductions of the 1851 statue. Thornycroft later used this composition for a colossal bronze equestrian statue of Queen Victoria of 1869 to act as a pendant to that of Prince Albert, erected at Lims Street, St George's Plateau, Liverpool.

The present piece is one of around fifty which were commissioned by the Art Union of London to be distributed as annual prizes between 1854 and 1859.

After an ill-suited apprenticeship as a surgeon, Thomas Thornycroft (1815-1885) was sent to London and apprenticed to the sculptor John Francis (1780-1861). His wife Mary was the daughter of John Francis. He made an over-life sized plaster equestrian statue of Queen Victoria for the Great Exhibition of 1851. His monumental equestrian statue of Boadicea and her daughters now stands on Westminster Bridge. He also made the marble group 'Commerce' for the base of the Albert Memorial in Hyde Park.

Bibliographic references
  • Illustrated London News , July 2nd 1853, pp. 544-5
  • Art Journal, March 1854, p. 89, 197, 259
  • Builder, 11/02/1854, p. 77, 29/04/1854, p. 221
  • Cooper, J. Nineteenth Century Romantic Bronzez, Newton Abbot, 1975, p. 64, no. 58
  • Bilbey, Diane with Trusted, Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum, London, Victoria and Albert Museum, 2002, p. 417, cat. no. 686
  • Handley-Read, Lavinia, British Sculpture: 1850-1914, London: E.C. Freeman, 1968.
  • Maas, Jeremy. This Brilliant Year, Queen Victoria's Jubilee, 1887, London : Royal Academy of Arts, 1977.
  • Jervis, Simon, Victorian and Edwardian decorative art: the Handley-Read collection, London, Royal Academy of Arts, 1972
Collection
Accession number
A.6-1972

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Record createdJune 24, 2009
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