To the Glory of the Armies of Justice and Liberty thumbnail 1
Not currently on display at the V&A

To the Glory of the Armies of Justice and Liberty

Plaquette
ca. 1918 (made)
Artist/Maker
Place of origin

Commissioned by the French State Legastelois' medal promotes the concept of victory for France through unity with the Allies. The classically-draped, idealised female embodying the spirit of France above a modern battle scene on the obverse and the presence of the Lion, traditionally associated with Hercules, courage and warlike activity on the reverse, continue the medallic convention of using imagery derived from classical sources to lend authority to a twentieth-century medal. The fusion of such imagery and the lofty intention of the phrase "To the Armies of Justice and Liberty' place the medal clearly in the idealised world of vast forces overcoming evil, rather than in the mus and horror experienced by individuals in the reality of trench warfare being waged at this stage of the Great War.
Legastelois (1855-1931) was a prolific medallist and sculptor, and pupil of Levasseur, Emile Carlier and the innovative medallist, Louis Oscar Roty. He exhibited and was awarded prices at numerous Paris Salons and produced medals commemorating First World War generals, heroes and battles.


Object details

Categories
Object type
TitleTo the Glory of the Armies of Justice and Liberty (generic title)
Materials and techniques
Struck bronze
Brief description
To the Glory of the Armies of Justice and Liberty, struck bronze, by Jules Prosper Legastelois, French, 20th century, about 1918.
Physical description
Obverse: a winged female Victory, holding a fluttering banner, appears above a battle scene showing France with her allies in the trenches during World War I. Legend.
Reverse: A crowing French cockerel, surrounded by wreaths of oak and laurel leaves, stands in front of the allies' flags. The cockerel struts above a blank cartouche which has a lion's head and paws at the bottom. Signed.
Dimensions
  • Height: 6.2cm
  • Width: 4.32cm
Marks and inscriptions
  • 'A LA GLOIRE DES ARMÉES DU DROITE ET DE LA LIBERTÉ' [and signed incuse] 'J. P (sic) LEGASTELOIS' (obverse)
    Translation
    'to the glory of the armies of justice and liberty'
  • 'J.P. LEGASTELOIS' (reverse)
Object history
Given by Professor J. Hull Grundy and Mrs. Ann Hull Grundy, in 1979.
Subjects depicted
Summary
Commissioned by the French State Legastelois' medal promotes the concept of victory for France through unity with the Allies. The classically-draped, idealised female embodying the spirit of France above a modern battle scene on the obverse and the presence of the Lion, traditionally associated with Hercules, courage and warlike activity on the reverse, continue the medallic convention of using imagery derived from classical sources to lend authority to a twentieth-century medal. The fusion of such imagery and the lofty intention of the phrase "To the Armies of Justice and Liberty' place the medal clearly in the idealised world of vast forces overcoming evil, rather than in the mus and horror experienced by individuals in the reality of trench warfare being waged at this stage of the Great War.
Legastelois (1855-1931) was a prolific medallist and sculptor, and pupil of Levasseur, Emile Carlier and the innovative medallist, Louis Oscar Roty. He exhibited and was awarded prices at numerous Paris Salons and produced medals commemorating First World War generals, heroes and battles.
Bibliographic references
  • Forrer, L. Biographical Dictionary of Medallists, III, London, 1904, pp. 371-374
  • Jones, Mark. The Art of the Medal. London, 1979, p. 152, ill. 413
  • Cullen, Lucy, Fisher, Wendy and Jopek, Norbert, 'One by One': European Commemorative Medals for the Great War 1914-1918, London : Victoria & Albert Museum, 1998 11
Collection
Accession number
A.11-1979

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Record createdJune 24, 2009
Record URL
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