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Not currently on display at the V&A

St Michael Overcoming Satan

Statuette
first quarter 17th century (made)
Artist/Maker
Place of origin

This is a bronze group designed by Alessandro Algardi (1595-1654), in the first quarter of the 17th century.
Alessandro Algardi (1595-1654) was an Italian sculptor, architect and draughtsman. Alongside Bernini he was the most important sculptor in Rome active around the middle of the 17th century. He produced the classizing antithesis to Bernini's High Baroque sculpture. They were seen and experienced at the time as rivals and equals.
The subject of St Michael overcoming Satan was quite popular in the Counter-Reformation time in Italy, allowing the Catholic Church to associate the theme with their 'battle' over the Protestants.
The archangel Michael is the first of the angels. He is often represented in armour with a sword and standing over or fighting with a dragon or he is shown with scales. God sent him to overcome Lucifer and he is also regarded as the angel of the Resurrection. He would receive the souls of the dead weighing them in his balance.


Object details

Categories
Object type
TitleSt Michael Overcoming Satan (generic title)
Materials and techniques
Bronze
Brief description
Statuette, bronze, St Michael overcoming Satan, cast after a design by Alessandro Algardi, Italy (Rome), first quarter of 17th century
Physical description
St Michael turned to right, is shown with right hand raised and right foot resting on the figure of Satan beneath. With his left hand he holds a chain fixed to a manacle round the raised left arm of the recumbent figure whose right arm is chained to the ground.
Dimensions
  • Height: 74.3cm
Object history
Given by Dr. W. L. Hildburgh, F. S. A., 1951.
Subjects depicted
Summary
This is a bronze group designed by Alessandro Algardi (1595-1654), in the first quarter of the 17th century.
Alessandro Algardi (1595-1654) was an Italian sculptor, architect and draughtsman. Alongside Bernini he was the most important sculptor in Rome active around the middle of the 17th century. He produced the classizing antithesis to Bernini's High Baroque sculpture. They were seen and experienced at the time as rivals and equals.
The subject of St Michael overcoming Satan was quite popular in the Counter-Reformation time in Italy, allowing the Catholic Church to associate the theme with their 'battle' over the Protestants.
The archangel Michael is the first of the angels. He is often represented in armour with a sword and standing over or fighting with a dragon or he is shown with scales. God sent him to overcome Lucifer and he is also regarded as the angel of the Resurrection. He would receive the souls of the dead weighing them in his balance.
Bibliographic references
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century. London: Her Majesty's Stationery Office, 1964, pp. 613, 614, no. 645
  • Montagu, Jennifer. Alessandro Algardi. New Haven and London, 1985, cat. 65.C.2, p. 366
  • Raggio, Olga. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Art Bulletin. Vol. L, 1968, p. 104
  • The Rival of Nature : Renaissance painting in its context, London : National Gallery, 1975 211
Collection
Accession number
A.56-1951

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Record createdJune 24, 2009
Record URL
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