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Not currently on display at the V&A

Angels bearing Candlesticks

Candlestick
ca. 1550-1600 (made)
Artist/Maker
Place of origin

This is a pair of bronze angels nearing candlesticks, made in North Italy (probably Venice) in about 1550-1600.
The great majority of bronzes produced during the Italian Renaissance were made for use, so-called 'functional bronzes', which, however beautiful in their own right, nevertheless had some practical use beyond simple ornament. The furnishing of the study was indeed one of the most important tasks of bronze casting.
Bronzes statuettes of this kind were often housed alongside antique examples by wealthy collectors, and displayed on shelves in their studies, above doorways and other settings. They would also have been handled and admired by their owners.


Object details

Categories
Object type
Parts
This object consists of 2 parts.
(Some alternative part names are also shown below)
  • Statuette
  • Candlestick
  • Statuette
  • Candlestick
TitleAngels bearing Candlesticks (generic title)
Materials and techniques
Bronze. Quaternary alloy with antimony and silver.
Brief description
Candlesticks (a pair), bronze, two angels bearing the candlesticks, North Italy (probably Venetian), ca. 1550-1600
Physical description
A pair of angels holding a candlestick in their hands, one in the left hand, the other in the right.
Dimensions
  • Height: 44cm (Note: for A.38-1962)
  • Height: 37cm (Note: for A.38A-1952 )
  • Width: 9.5cm (Note: of base of A.38-1952)
  • Length: 9cm (Note: of base of A.38-1952)
  • Width: 8.5cm (Note: of base of A.38A-1952)
  • Length: 8.5cm (Note: of base of A.38A-1952)
  • Weight: 7,065.3g (Note: of A.38-1952)
  • Weight: 6,999.3cm (Note: of A.38A-1952)
Object history
Given by Mr. Gerald W. Kerin, in 1952.
Subjects depicted
Summary
This is a pair of bronze angels nearing candlesticks, made in North Italy (probably Venice) in about 1550-1600.
The great majority of bronzes produced during the Italian Renaissance were made for use, so-called 'functional bronzes', which, however beautiful in their own right, nevertheless had some practical use beyond simple ornament. The furnishing of the study was indeed one of the most important tasks of bronze casting.
Bronzes statuettes of this kind were often housed alongside antique examples by wealthy collectors, and displayed on shelves in their studies, above doorways and other settings. They would also have been handled and admired by their owners.
Bibliographic references
  • Motture, Peta. “The Production of Firedogs in Renaissance Venice”, in: Motture, Peta (ed.), Large Bronzes in the Renaissance, National Gallery of Art, Washington, 2003, pp. 276-307 pp. 298, 299
  • Motture, Peta. “The Production of Firedogs in Renaissance Venice”, in: Motture, Peta (ed.), Large Bronzes in the Renaissance, National Gallery of Art, Washington, 2003, pp. 276-307
Collection
Accession number
A.38-1952

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Record createdJune 24, 2009
Record URL
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