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Henry IV, King of France

Medal
ca. 1594 (made)
Artist/Maker
Place of origin

This medal depcits Henri IV, King of France and is attributed to the French school, made shortly before 1594, the date of Henri's coronation.
Cast in bronze or lead, the Renaissance portrait medal commemorated individuals or events. They were used as gifts and mementoes and were inspired by Roman coins, with their portraits of rulers and allegorical representations on the reverse, eagerly collected by humanists. Many specialist sculptors were attracted to the art form. It was recognised that there was a ready market for medals among the growing class of collectors, usually members of the intelligensia or the gentry, who were attracted to small-scale works of art. The medal format proved ideal for this type of personal and intimate object.


Object details

Categories
Object type
TitleHenry IV, King of France (generic title)
Materials and techniques
Bronze
Brief description
Medal, bronze, Henri IV, King of France, by the French School, France, ca. 1594
Physical description
Medal depicts on the obverse the bust of Henri in three-quarter length to right, wearing a high hat with a broad brim, and a ruff, and over his doublet a gorget and a scarf. Inscription.
On the reverse the shields of France and Navarre, each surmounted by a crown. Below, H over a 4 between branches of palm and laurel. The whole surrounded by the collar of St. Michael and a border made by two thunderbolts, between branches of laurel. No inscription.
Dimensions
  • Diameter: 6cm
Marks and inscriptions
'HENRICVS IIII D G REX FRAN ET NAV' (obverse)
Object history
From the Salting bequest.
Production
from the French School; formerly attributed to Nicholas Gabriel Jacquet
Subjects depicted
Summary
This medal depcits Henri IV, King of France and is attributed to the French school, made shortly before 1594, the date of Henri's coronation.
Cast in bronze or lead, the Renaissance portrait medal commemorated individuals or events. They were used as gifts and mementoes and were inspired by Roman coins, with their portraits of rulers and allegorical representations on the reverse, eagerly collected by humanists. Many specialist sculptors were attracted to the art form. It was recognised that there was a ready market for medals among the growing class of collectors, usually members of the intelligensia or the gentry, who were attracted to small-scale works of art. The medal format proved ideal for this type of personal and intimate object.
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 52
  • Scher, Stephen K, The Currency of fame: portrait medals of the Renaissance, New York, National Gallery of Art (U.S.), Frick Collection., 1994 p.343
Collection
Accession number
A.351-1910

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Record createdJune 24, 2009
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