Not currently on display at the V&A

The Worship of the Golden Calf

Relief
1725-1770 (made)
Artist/Maker
Place of origin

This undocumented relief illustrates the Old Testament scene of Moses discovering the Israelites worshipping the Golden Calf. Moses can be seen in the background descending from Mount Sinai and about to throw down the Tablets on which the Commandments were written.
The figures in the foreground appear to have been modelled separately in the clay and applied to the low-relief background before firing. The area around Bologna was a source of good quality clay and the city therefore became an important centre for terracotta sculpture.
Agostino Corsini (1688-1772) worked in his native Bologna and also in Rome, where he made the figure of Abundance for the Trevi Fountain (1735). He worked in the style of late Baroque Classicism, and later in the Roccoco style. From his earlier work in Bologna little survives. He moved to Rome in the 1730s where he worked on decorative sculptures for various architectural sites.


Object details

Categories
Object type
TitleThe Worship of the Golden Calf (generic title)
Materials and techniques
Relief in terracotta
Brief description
Relief, terracotta, the Worship of the Golden Calf, by Agostino Corsini, Italy, ca. 1725-1770
Physical description
In the centre are six figures dancing round the golden calf, which stands on a plinth behind. In the left foreground is a seated woman nursing a child. On the right Aaron points to the calf; behind him on the extreme right are a number of further figures. In the left background is Moses with the Tables of the Law. Signed below.
Dimensions
  • Without frame height: 71.1cm
  • Width: 54cm
Gallery label
This undocumented relief illustrates the Old Testament scene of Moses discovering the Israelites worshipping the Golden Calf. Moses can be seen in the background descending from Mount Sinai and about to throw down the Tablets on which the Commandments were written. The figures in the foreground appear to have been modelled separately in the clay and applied to the low-relief background before firing. The area around Bologna was a source of good quality clay and the city therefore became an important centre for terracotta sculpture. Corsini worked in his native Bologna and also in Rome, where he made the figure of Abundance for the Trevi Fountain (1735).
Credit line
Given by Dr. W. L. Hildburgh, F. S. A.
Object history
Given by Dr. W. L. Hildburgh, F. S. A., 1952.
Subjects depicted
Summary
This undocumented relief illustrates the Old Testament scene of Moses discovering the Israelites worshipping the Golden Calf. Moses can be seen in the background descending from Mount Sinai and about to throw down the Tablets on which the Commandments were written.
The figures in the foreground appear to have been modelled separately in the clay and applied to the low-relief background before firing. The area around Bologna was a source of good quality clay and the city therefore became an important centre for terracotta sculpture.
Agostino Corsini (1688-1772) worked in his native Bologna and also in Rome, where he made the figure of Abundance for the Trevi Fountain (1735). He worked in the style of late Baroque Classicism, and later in the Roccoco style. From his earlier work in Bologna little survives. He moved to Rome in the 1730s where he worked on decorative sculptures for various architectural sites.
Bibliographic references
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century. London: Her Majesty's Stationery Office, 1964, p. 660, cat. no. 705
  • Avery, Charles. Fingerprints of the artist. European Terra-Cotta from the Artur M. Sackler Collection. Exh. Cat, Washington, 1981, p. 120, cat. No. 45
Collection
Accession number
A.35-1952

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Record createdJune 24, 2009
Record URL
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