Not currently on display at the V&A

Sleeping Nymph

Relief
1823 (dated)
Artist/Maker
Place of origin

This relief, made by Giacomo Marchino dir Campertogno (ca. 1785-1841) is adapted from the classical marble of the Hermaphrodite from the Borghese Gallery, Rome, another verision of which is in the Louvre. Marchino (1785-1841) trained, like his brother Giuseppe Marchino under the ivory sculptor Giuseppe Maria Bonzanigo (1745-1820), who left him his studio in Turin. He specialised in small-scale reductions in ivory of antique sculptures, which were apparently popular amongst travellers passing through Turin.


Object details

Categories
Object type
TitleSleeping Nymph (generic title)
Materials and techniques
Ivory carved in relief
Brief description
Relief, ivory, Sleeping Nymph, by Marchino di Campertogno, Italian (probably Rome or Turin), 1823
Physical description
The nearly naked figure lies prostrate on a couch with drapery around her arm and leg. The base signed.
Dimensions
  • Length: 6.6cm
  • Width: 3.7cm
  • Height: 1.6cm
Marks and inscriptions
'MARCHINO F. 1823' (signed at base)
Object history
Formerly Delves Broughton family. Donor to the museum Mrs Helen Huggett, London, in 1984, along with museum numbers A.12 and A.14-1984. According to the donor the three ivories were acquired by her ancestor, Charles Delves-Broughton (b. 1779) on the Grand Tour in about 1823, and were then given to his sister Elizabeth. Thereafter they were handed down from mother to daughter over five generations (handwritten note from the donor; Museum records).
Subjects depicted
Summary
This relief, made by Giacomo Marchino dir Campertogno (ca. 1785-1841) is adapted from the classical marble of the Hermaphrodite from the Borghese Gallery, Rome, another verision of which is in the Louvre. Marchino (1785-1841) trained, like his brother Giuseppe Marchino under the ivory sculptor Giuseppe Maria Bonzanigo (1745-1820), who left him his studio in Turin. He specialised in small-scale reductions in ivory of antique sculptures, which were apparently popular amongst travellers passing through Turin.
Bibliographic references
  • Thieme-Becker, Allgemeines Lexikon…., XXXVI, Leipzig, 1950, p. 69
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 311, pp. 313, 14
Collection
Accession number
A.13-1984

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Record createdJune 24, 2009
Record URL
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