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A beggar woman

Statuette
ca. 1820 (made)
Artist/Maker
Place of origin

This ivory statuette is one of a pair, this one representing a beggar woman, the other a beggar man (Mus. No. A.13-1949). It is probably made by Cointre in Dieppe, France, in ca. 1820. The figures were ascribed to Wilhelm Krüger (1680-1756) at the time of their acquisition in 1949.
Cointre (ca. 1790-1820) was an ivory carver that apparently specialised in carving genre figures of beggars in ivory in a style which looked forward to the work of Pierre-Adrien Graillon (1807/9-1872). The dark wood socles are typical of his work too. Such genre figures were typical in France in the second half of the nineteenth century, as exemplified by the work of Pierre-Adrien Graillon.


Object details

Category
Object type
TitleA beggar woman (named collection)
Materials and techniques
ivory on wood socle
Brief description
Statuette, a beggar woman on pedestal, probaly by Cointre, French (Dieppe), ca. 1820
Physical description
Figure in ivory of a female beggar in ragged clothes. In her right hand a string of beads, her left hand raised to her head and holding a rosary in her right hand. Round her waist, a pan, a water bottle and her apron looped up in a bundle. She looks downward and is stepping forward with her right foot. She wears a hat tied to her head. The toes of her left foot are revealed through the damaged left shoe. On turned wood socle inlaid with ivory.
Dimensions
  • With pedestal height: 21.2cm
  • Ivory alone height: 13.7cm
Object history
Given by Dr W.L. Hildburgh F.S.A. in 1949; formerly on loan from Dr Hildburgh.
Subjects depicted
Summary
This ivory statuette is one of a pair, this one representing a beggar woman, the other a beggar man (Mus. No. A.13-1949). It is probably made by Cointre in Dieppe, France, in ca. 1820. The figures were ascribed to Wilhelm Krüger (1680-1756) at the time of their acquisition in 1949.
Cointre (ca. 1790-1820) was an ivory carver that apparently specialised in carving genre figures of beggars in ivory in a style which looked forward to the work of Pierre-Adrien Graillon (1807/9-1872). The dark wood socles are typical of his work too. Such genre figures were typical in France in the second half of the nineteenth century, as exemplified by the work of Pierre-Adrien Graillon.
Associated object
A.13-1949 (Pair)
Bibliographic reference
Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 268, pp. 276, 7
Collection
Accession number
A.14-1949

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Record createdJune 24, 2009
Record URL
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