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St. Mary Magdalen

Statuette
ca. 1650 (made)
Artist/Maker
Place of origin

This ivory statue of St. Mary Magdalen originally formed part of a Crucifixion scene. It is attributed to Justus Glesker, made in Germany in ca. 1650.

The son of a sculptor, Glesker (1610/20-1678) travelled in Italy and the Netherlands, before settling in Frankfurt in 1646. He produced large gilt wood crucifixion figures for the choir of Bamberg Cathedral, as well as other large wood sculptors also for the Cathedral in the late 1640s. His widow's inventory of works from his studio includes small-scale sculptures in ivory, and it is on the basis of this, as well as stylistic parallels with the documented large-scale wood sculptures, that ivory works have been ascribed to him, notably those at the Museo e Galleria Estense in Modena, and the Palazzo Pitti, Florence, although there are no known signed pieces.


Object details

Categories
Object type
TitleSt. Mary Magdalen (generic title)
Materials and techniques
Ivory
Brief description
Statuette, ivory, St Mary Magdalene, attributed to Justus Glesker, German, ca. 1650
Physical description
Statuette in ivory, Mary Magdalen. The draped figure of Magdalen, with a coiled plait on top of her head, kneels on her left knee, looking upwards and facing the left, with both arms raised. Over a loose robe she wears a voluminous mantle draped round her body and tied at the waist with cords. One end of the mantle is thrown over her left shoulder.
Dimensions
  • Height: 17.3cm
  • Width: 17cm
Gallery label
ST. MARY MAGDALENE German (?); c. 1625 Ivory This figure once formed part of a crucifixion group. Although it is related to the work of the German sculptor Georg Kriebel (c. 1580/90-1645), it also has analogies with Spanish ivories. (1993 - 2011)
Object history
Purchased from Mr G. Kerin for £9, 10s with the funds of the Murray Bequest in 1936.
Subject depicted
Summary
This ivory statue of St. Mary Magdalen originally formed part of a Crucifixion scene. It is attributed to Justus Glesker, made in Germany in ca. 1650.

The son of a sculptor, Glesker (1610/20-1678) travelled in Italy and the Netherlands, before settling in Frankfurt in 1646. He produced large gilt wood crucifixion figures for the choir of Bamberg Cathedral, as well as other large wood sculptors also for the Cathedral in the late 1640s. His widow's inventory of works from his studio includes small-scale sculptures in ivory, and it is on the basis of this, as well as stylistic parallels with the documented large-scale wood sculptures, that ivory works have been ascribed to him, notably those at the Museo e Galleria Estense in Modena, and the Palazzo Pitti, Florence, although there are no known signed pieces.
Bibliographic references
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 9, pp. 14, 15
  • Diafane passioni. Avori barocchi dalle corti europee, exh. cat., Palazzo Pitti, Museo degli Argenti, Florence (16 July – 3 November 2013), Florence, 2013, cat. no. 61, pp. 212, 3
  • cf. Ivoires du Musée du Louvre 1480-1850: une collection inédite Château-Musée de Dieppe, 2005, p. 64.
  • Penny, Nicholas. Catalogue of the European Sculpture in the Ashmolean Museum. Oxford, 1992, no. 355/356.
  • Theuerkauff, C. Die Bildwerke in Elfenbein des 16-19 Jahrhunderts (Die Bildwerke der Skulpturengalerie Berlin II) Berlin, 1986, p.184 and p.185, note. 20.
  • Rasminssen, I. Barockplastik in Norddeintschland. Hamburg. 1977, no. 24/25.
Collection
Accession number
A.7-1936

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Record createdJune 24, 2009
Record URL
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