Comb
Comb
ca. 1550 (made)
ca. 1550 (made)
Artist/Maker | |
Place of origin |
This comb is made in France in ca. 1550 by an unknown artist. The type and the scene of lovers by the fountain depicted in this ivory comb is not uncommon. Ivory combs, together with mirror cases and gravoirs for parting the hair, formed an essential part of the trousse de toilette or étui (dressing case) of the typical wealthy lady or gentleman in the period. The two leading cities for ivory carving were Paris and Dieppe. Luxury items, such as combs were often made in Paris, especially during the sixteenth and seventeenth centuries. During the seventeenth century Dieppe became increasingly significant for small-scale sculpture in ivory, perhaps because it was a port.
Object details
Categories | |
Object type | |
Title | Comb (named collection) |
Materials and techniques | Ivory |
Brief description | Comb, ivory, with love scenes, French, ca. 1550 |
Physical description | Ivory comb ornamented with renaissance arabesque and in the centre panel carved with a scene showing a man and woman in a garden standing either side of a fountain of love. Two putti attend, one carrying a helmet the other a mirror; on the other side a naked couple recline in a chariot drawn by two horses and led and followed by putti. Bearded masks are carved at each end between panels decorated with scrollwork. |
Dimensions |
|
Object history | Bequeathed by Mr J.F. Mallet of the firm Mallet of Bath in 1947; formerly in the Spitzer Collection. |
Subjects depicted | |
Summary | This comb is made in France in ca. 1550 by an unknown artist. The type and the scene of lovers by the fountain depicted in this ivory comb is not uncommon. Ivory combs, together with mirror cases and gravoirs for parting the hair, formed an essential part of the trousse de toilette or étui (dressing case) of the typical wealthy lady or gentleman in the period. The two leading cities for ivory carving were Paris and Dieppe. Luxury items, such as combs were often made in Paris, especially during the sixteenth and seventeenth centuries. During the seventeenth century Dieppe became increasingly significant for small-scale sculpture in ivory, perhaps because it was a port. |
Bibliographic references |
|
Collection | |
Accession number | A.7-1947 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 24, 2009 |
Record URL |
Download as: JSONIIIF Manifest