Cherub Head
Head Cherub
late 17th century to early 18th century (made)
late 17th century to early 18th century (made)
| Artist/Maker | |
| Place of origin |
This and an accompannying cherub head (A.62-1951) are made by Giacomo Serpotta and are characteristic works by Serpotta. They were stated on acquisition to have come from a war-damaged church in Palermo. This cannot be identified.
Serpotta practised mainly in stucco, but also in marble and bronze. He was a prolific decorative artist of great ability and taste and is commemorated in Palermo by a large number of church interiors, of which the earliest is the Oratorio della Carità (1679) and the latest the Oratorio di San Francesco di Paola ai Candelai (1731/2).
Serpotta practised mainly in stucco, but also in marble and bronze. He was a prolific decorative artist of great ability and taste and is commemorated in Palermo by a large number of church interiors, of which the earliest is the Oratorio della Carità (1679) and the latest the Oratorio di San Francesco di Paola ai Candelai (1731/2).
Object details
| Category | |
| Object type | |
| Title | Cherub Head (generic title) |
| Materials and techniques | Stucco |
| Brief description | Cherub head, stucco, by Giacomo Serpotta, Italian (Sicily), late 17th to early 18th century |
| Physical description | The cherub head is represented in very deep relief almost in profile looking upwards to the right. It is broken across the base of the neck. |
| Dimensions |
|
| Object history | Purchased in Palermo, for £34 10s together with (A.62-1951). |
| Historical context | The two heads are characteristic works by Serpotta, and were stated on acquisition to have come from a war-damaged church in Palermo. This cannot be identified. |
| Subject depicted | |
| Summary | This and an accompannying cherub head (A.62-1951) are made by Giacomo Serpotta and are characteristic works by Serpotta. They were stated on acquisition to have come from a war-damaged church in Palermo. This cannot be identified. Serpotta practised mainly in stucco, but also in marble and bronze. He was a prolific decorative artist of great ability and taste and is commemorated in Palermo by a large number of church interiors, of which the earliest is the Oratorio della Carità (1679) and the latest the Oratorio di San Francesco di Paola ai Candelai (1731/2). |
| Associated object | A.62-1951 (Ensemble) |
| Bibliographic reference | Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century. London: Her Majesty's Stationery Office, 1964, p. 631 |
| Collection | |
| Accession number | A.61-1951 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | June 24, 2009 |
| Record URL |
Download as: JSONIIIF Manifest
