The Crucifixion thumbnail 1
The Crucifixion thumbnail 2
Not currently on display at the V&A

The Crucifixion

Panel
ca. 1360-1380 (made)
Artist/Maker
Place of origin

This ivory panel representing the Crucifixion was made in the 14th century France. It is a plaque from a set of writing tablets.
Ivory covers for writing tablets survive in good numbers from the fourteenth century. Wax writing tablets or panels of a hard material filled with layers of wax that could be inscribed with a stylus, were common in Antiquity and continued in use throughout the early Middle Ages. They were particularly useful for note taking, given their portability and the fact that their surfaces could be erased and reused.
The majority of such tablets would have been made of wood, although other materials such as gold, silver, bone and ivory were also used. In most cases the tablets formed part of a group of up to eight panels, only the covers of which were carved with imagery on their outer faces. The imagery on most surviving tablets and boxes derives primarily from diptychs, with a quality of carving lower than that commonly found on diptychs, at least partly as a result of the thinner ivory material on the tablets.


Object details

Categories
Object type
TitleThe Crucifixion (generic title)
Materials and techniques
Elephant ivory
Brief description
Plaque, ivory, from a set of writing tablets, the Crucifixion, Mosan or Rhenish, ca. 1360-1380
Physical description
Ivory panel representing the Crucifixion. It is shown beneath an arcade formed of three trefoil arches with tall crocketed gables above, decorated with trefoils and with two further trefoils between the gables. To the left of the Cross the Virgin is shown fainting, supported at the waist from behind by one of the holy women. The Virgin's body is twisted, and her right leg thrust forward. To the right of the cross are St John the Evangelist and the two Jews, one holding a scroll. There are considerable traces of colour remaining.
Dimensions
  • Width: 6cm
  • Height: 9.9cm
Object history
Previously in the Hearn collection, Menton; it was probalby acquired after the death of Alfred Williams Hearn (1842-1903) by his widow Ellen Hearn. Given by Mrs Hearn in 1923.
Subjects depicted
Summary
This ivory panel representing the Crucifixion was made in the 14th century France. It is a plaque from a set of writing tablets.
Ivory covers for writing tablets survive in good numbers from the fourteenth century. Wax writing tablets or panels of a hard material filled with layers of wax that could be inscribed with a stylus, were common in Antiquity and continued in use throughout the early Middle Ages. They were particularly useful for note taking, given their portability and the fact that their surfaces could be erased and reused.
The majority of such tablets would have been made of wood, although other materials such as gold, silver, bone and ivory were also used. In most cases the tablets formed part of a group of up to eight panels, only the covers of which were carved with imagery on their outer faces. The imagery on most surviving tablets and boxes derives primarily from diptychs, with a quality of carving lower than that commonly found on diptychs, at least partly as a result of the thinner ivory material on the tablets.
Bibliographic references
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014 part 1, pp. 368-369
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014, part 1, pp. 368-369, cat. no. 128
Collection
Accession number
CIRC.495-1923

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Record createdJune 24, 2009
Record URL
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