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Not currently on display at the V&A

Abundance

Statuette
ca. 1620-1645 (made)
Artist/Maker
Place of origin

This statuette in ivory was made by Leonhard Kern in Germany, in about 1620-1645. It represents Abundance. The head and figure type are closely analogous to other works by Kern, such as the Three Graces in the Württembergisches Landesmuseum, Stuttgart and the Abundance in the Kunsthistorisches Museum in Vienna as well as Charity in the V&A's own collection (A.37-1949).

Kern (1588-1662) trained under his brother Michael Kern (1580-1649) and then spent four years travelling mainly in Rome, Naples and Venice, though he also visited North Africa and Slovenia. His figures, often nudes, are distinctive in style, being both monumental and individualistic, inspired by South Netherlandish Sources, such as Rubens, but fusing them with Italianate poses. His female nudes are frequently shown with elaborate coiffures.


Object details

Category
Object type
TitleAbundance (generic title)
Materials and techniques
Ivory
Brief description
Statuette, ivory, Abundance, by Leonhard Kern, German, ca. 1620-45
Physical description
Statuette in ivory. A nude laureated female figure with left foot forward and turned slightly to the left, stands holding at her left side an inverted cornucopia filled with fruit. The left leg split at the ankle. Her hair is in an elaborate plaited bun.
Dimensions
  • Height: 24cm
Gallery label
ABUNDANCE South German; about 1610-1650 Ivory Style of Leonhard Kern Given by the Dr, W. L. Hildburgh F.S.A. (1993 - 2011)
Credit line
Given by Dr. W. L. Hildburgh F.S.A.
Object history
Given by Dr W.L. Hildburgh F.S.A. in 1949; formerly on loan from Dr Hildburgh.
Subjects depicted
Summary
This statuette in ivory was made by Leonhard Kern in Germany, in about 1620-1645. It represents Abundance. The head and figure type are closely analogous to other works by Kern, such as the Three Graces in the Württembergisches Landesmuseum, Stuttgart and the Abundance in the Kunsthistorisches Museum in Vienna as well as Charity in the V&A's own collection (A.37-1949).

Kern (1588-1662) trained under his brother Michael Kern (1580-1649) and then spent four years travelling mainly in Rome, Naples and Venice, though he also visited North Africa and Slovenia. His figures, often nudes, are distinctive in style, being both monumental and individualistic, inspired by South Netherlandish Sources, such as Rubens, but fusing them with Italianate poses. His female nudes are frequently shown with elaborate coiffures.
Bibliographic references
  • Cf. Dreier, Franz-Adrian. Unbekannte Elfenbeinarbeiten von Leonhard Kern und zwei Reliefs aus der Drehbank des Landgrafen Carl von Hessen. Pantheon. 22, 1964. pp. 99-100. fig. 6.
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 25
Collection
Accession number
A.38-1949

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Record createdJune 24, 2009
Record URL
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