A sleeping Nymph and two Satyrs
Plaquette
ca. 1500 (made)
ca. 1500 (made)
Artist/Maker | |
Place of origin |
Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to book-bindings.
Whilst religious plaquettes had both public and private functions, and mounted religious plaquettes, known as paxes, were held up during mass for the kiss of peace, those with a secular subject matter were usually for private, personal use. They were used as pendants, desk ornaments, and applied to functional objects such as pounce-pots. They were also valued as fine miniature works of art. Plaquettes had a role in disseminating classical imagery and designs throughout Europe, in the same manner as the contemporary print. The subject matter was often a miniature composition, only rarely a single isolated figure.
Whilst religious plaquettes had both public and private functions, and mounted religious plaquettes, known as paxes, were held up during mass for the kiss of peace, those with a secular subject matter were usually for private, personal use. They were used as pendants, desk ornaments, and applied to functional objects such as pounce-pots. They were also valued as fine miniature works of art. Plaquettes had a role in disseminating classical imagery and designs throughout Europe, in the same manner as the contemporary print. The subject matter was often a miniature composition, only rarely a single isolated figure.
Object details
Categories | |
Object type | |
Title | A sleeping Nymph and two Satyrs (generic title) |
Materials and techniques | Bronze |
Brief description | Plaquette, bronze, a sleeping Nymph and two Satyrs, by the Pseudo Antonio da Brescia, Italy (probably Venice), ca. 1500 |
Physical description | A sleeping woman, naked except for a cloak which covers her left leg, reclining against an altar. On each side of her is a naked child. Two ithyphallic satyrs approach her from the right, the former lifting the edge of her cloak and the latter carrying a branch. |
Dimensions |
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Object history | From the Salting bequest. |
Subjects depicted | |
Summary | Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to book-bindings. Whilst religious plaquettes had both public and private functions, and mounted religious plaquettes, known as paxes, were held up during mass for the kiss of peace, those with a secular subject matter were usually for private, personal use. They were used as pendants, desk ornaments, and applied to functional objects such as pounce-pots. They were also valued as fine miniature works of art. Plaquettes had a role in disseminating classical imagery and designs throughout Europe, in the same manner as the contemporary print. The subject matter was often a miniature composition, only rarely a single isolated figure. |
Bibliographic references |
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Collection | |
Accession number | A.475-1910 |
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Record created | June 24, 2009 |
Record URL |
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