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Casket

middle of 15th century (made)
Artist/Maker
Place of origin

This casket was in the possession of Cardinal Albrecht von Brandenburg at Halle an der Saale, who made it a casket for relics. Albrecht had a huge collection of relics called the 'Hallesche Heiltum', a collection which was already started by his predecessor Ernst von Sachsen. The pieces from the 'Hallesche Heiltum' were depicted in the 'Aschaffenburger Codex'.
The present casket may have been made as a wedding gift, suggested by the male and female figures amongst foliage on each end, which have parallels in the contemporary wooden Minnekästchen of the Upper Rhine (Kohlhaussen 1928).


Object details

Categories
Object type
Materials and techniques
Carved and pierced bone panels, mounted over red leather on a wood core, in gilt-copper mounts and framework.
Brief description
Casket, for relics, bone mounted on red leather, flowers and figures, Germany (Upper Rhenish), probably middle of the 15th century
Physical description
Panels carved in openwork with the following subjects: on the lid, Gothic tracery within a border of scrolling vine-plants, in front two strawberry plants; at one end a gentleman picking flowers in a garden; at the other end, a lady similarly engaged; at the back a bear amid oak plants. Bottom covered with leather and studded with brass nails.
Dimensions
  • Height: 8.6cm
  • Width: 19cm
  • At base depth: 13cm
Object history
Formerly Spitzer collection, Paris, before 1893; Spitzer sale, Paris, 27 April 1893, lot 142 (ill. pl. IV); then George Salting collection, London; Bequeathed to the V&A by Salting, in 1910 (no. 1345).
Subjects depicted
Summary
This casket was in the possession of Cardinal Albrecht von Brandenburg at Halle an der Saale, who made it a casket for relics. Albrecht had a huge collection of relics called the 'Hallesche Heiltum', a collection which was already started by his predecessor Ernst von Sachsen. The pieces from the 'Hallesche Heiltum' were depicted in the 'Aschaffenburger Codex'.
The present casket may have been made as a wedding gift, suggested by the male and female figures amongst foliage on each end, which have parallels in the contemporary wooden Minnekästchen of the Upper Rhine (Kohlhaussen 1928).
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 95
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. Part II. London: Victoria and Albert Museum, 1929, p. 57
  • Jopek, N. 'Der Kardinal', in: Kunstchronik. vol. 61, 2008, p. 216 (Gd. 141)
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014 part II, pp. 698-701
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014, part II, pp. 698-701, cat. no. 240
Collection
Accession number
A.571-1910

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Record createdJune 24, 2009
Record URL
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