Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 117

Vase

ca. 1824 - ca. 1838 (made)
Artist/Maker
Place of origin

This bronze vase is signed by Pietro and Francesco Cavadini and made in Verona, probably between 1824 and 1838. Pietro Cavadini (1765-1838) was the first owner of the Cavadini foundry in Verona. The Cavadini family ran what became the leading bell-foundry in Verona from 1794 until the 1980s, when it finally closed. Pietro was followed by his son Francesco (1795-1849). The foundry made a variety of objects, but their specialty was bell-casting.
The decoration is particularly finely cast and is reminiscent of earlier, commonly used patterns, such as the vine leaf. The form though is more complicated than that which would normally be associated with the 16th century.


Object details

Categories
Object type
Materials and techniques
Bell-metal
Brief description
Vase, bronze, signed by Pietro and Francesco Cavadini, North Italy (Verona), probably between 1824 and 1838
Physical description
This vase has an inverted pear shaped body with spreading foot, the handles in the form of grotesque female figures. Round the body is a band of running vine pattern. Below are festoons of fruit and flowers. The lower part gadrooned. The foot is decorated with acanthus and the rim with laurel leaves. Round the base runs an inscription.
Dimensions
  • Height: 25cm
  • Rim diameter: 8.2cm
  • Base diameter: 12.1cm
  • Width: 17.3cm
  • Weight: 3850.9g
Marks and inscriptions
'-PETRUS EJUSQUE FILIUS FRANCISCUS CAVADINI FUSORES VERONENSES' (round the base)
Object history
From the Salting bequest.
Production
probably ca. 1824 - ca. 1838
Subjects depicted
Summary
This bronze vase is signed by Pietro and Francesco Cavadini and made in Verona, probably between 1824 and 1838. Pietro Cavadini (1765-1838) was the first owner of the Cavadini foundry in Verona. The Cavadini family ran what became the leading bell-foundry in Verona from 1794 until the 1980s, when it finally closed. Pietro was followed by his son Francesco (1795-1849). The foundry made a variety of objects, but their specialty was bell-casting.
The decoration is particularly finely cast and is reminiscent of earlier, commonly used patterns, such as the vine leaf. The form though is more complicated than that which would normally be associated with the 16th century.
Bibliographic reference
Motture, Peta. Bells & Mortars. Catalogue of the Italian Bronzes in the Victoria and Albert Museum. London, 2001, pp. 192-3, cat. no. 67
Collection
Accession number
M.703-1910

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Record createdJune 24, 2009
Record URL
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