Le Journal thumbnail 1
Not currently on display at the V&A

Le Journal

Medal
1898 (made)
Artist/Maker
Place of origin

This medal was made by François Rupert Carabin in the late 19th century and was issued to commemorate le Journal. Carabin (1862-1921) was a sculptor, medallist and gem-engraver. He began his artistic career as a gem-engraver under Jules Lequien, then worked as a wood carver, and from 1889 he devoted himself almost exclusively to sculpture, but occasionally modelled plaquettes and medals.

The continuing interest in the Graces throughout the nineteenth century is demonstrated by Carabin's use of the motif on this medal commemorating Le Journal. The theme was here adapted so as to relate to newspaper production and technology. To late twentieth-century eyes, it seems to have given the Three Graces a rare opportunity to read the newspaper, rather than to appear in the press themselves.

There was a display of the medal in 1994 to mark the acquisition of Canova's 'Three Graces' (A.4-1994) in 1994.


Object details

Categories
Object type
TitleLe Journal (generic title)
Materials and techniques
Silver
Brief description
Medal, Le Journal, silver, by François Rupert Carabin, French, 19th century, 1898.
Physical description
Obverse: a capital 'J' at the centre, crossed by a quill pen and encircled by a banner (or roll of newsprint). Inscription.
Reverse: a back view of three nude female figures, based on Antonio Canova's 'Three Graces', who stand reading the newspaper. At the right, a fourth turns the handle of a printing press.
Dimensions
  • Diameter: 4.56cm
Marks and inscriptions
'LE JOURNAL' [and] '100 RUE RICHELIEU PARIS' (obverse)
Object history
Given by Professor J. Hull Grundy and Mrs. Ann Hull Grundy, in 1978.
Subject depicted
Summary
This medal was made by François Rupert Carabin in the late 19th century and was issued to commemorate le Journal. Carabin (1862-1921) was a sculptor, medallist and gem-engraver. He began his artistic career as a gem-engraver under Jules Lequien, then worked as a wood carver, and from 1889 he devoted himself almost exclusively to sculpture, but occasionally modelled plaquettes and medals.

The continuing interest in the Graces throughout the nineteenth century is demonstrated by Carabin's use of the motif on this medal commemorating Le Journal. The theme was here adapted so as to relate to newspaper production and technology. To late twentieth-century eyes, it seems to have given the Three Graces a rare opportunity to read the newspaper, rather than to appear in the press themselves.

There was a display of the medal in 1994 to mark the acquisition of Canova's 'Three Graces' (A.4-1994) in 1994.
Bibliographic reference
Forrer, L. Biographical Dictionary of Medallists, I, pp. 344-345, VII, p. 151
Collection
Accession number
A.141-1978

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Record createdJune 24, 2009
Record URL
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