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Lamp in the form of a grotesque-winged Sphinx

Lamp
ca. 1525-1575 (made)
Place of origin

This lamp is made by Andrea Briosco (called Il Riccio) in Padua in the late 15th or early 16th century.

Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy. Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance.
His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze. He was also a specialist in rendering themes of Classical mythology. His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.


Object details

Categories
Object type
TitleLamp in the form of a grotesque-winged Sphinx (generic title)
Materials and techniques
Bronze
Brief description
Lamp in the form of a grotesque-winged Sphinx, bronze, Italian (possibly Paduan or style of), ca. 1525-1575 or possibly 19th century
Physical description
Lamp of a grotesque form with a male winged sphinx.
Dimensions
  • Height: 20cm
  • Depth: 9cm
  • Height: 23.5cm
Dimensions were taken by SCP on 27.10.14 for Bronze Zoo: A Sculptural Menagerie
Object history
Bought in 1861 for 18l. Formerly attributed to Riccio, Andrea (Andrea Briosco).
Subject depicted
Summary
This lamp is made by Andrea Briosco (called Il Riccio) in Padua in the late 15th or early 16th century.

Riccio (1470-1532) - meaning 'Curly-Head' - worked primarily in bronze and is acknowledged as the master of the bronze statuette during the late 15th and early 16th centuries. He was active in the humanist circle of the University of Padua, in north-east Italy. Riccio was trained as a goldsmith and lived and worked all his live in Padua. Today he is acknowledged as one of the greatest bronze sculptors of the Renaissance.
His statuettes, functional objects, like oil lamps, and reliefs reflect Riccio's inimitable ability to express the most refined humanist ideas prevalent in the Veneto in bronze. He was also a specialist in rendering themes of Classical mythology. His oeuvre is often neglected because of its small scale, but it constitutes one of the most fascinating manifestations of the poetic paganism of the High Renaissance.
Bibliographic reference
Inventory of Art Objects Acquired in the Year 1861. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 21
Collection
Accession number
7432-1861

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Record createdJune 24, 2009
Record URL
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