Firedog thumbnail 1
Firedog thumbnail 2
+4
images
Not currently on display at the V&A

Firedog

ca. 1590-1620 (made)
Artist/Maker
Place of origin

This pair of firedogs representing Adonis and Venus is made in Venice in the first quarter of the 17th century in the style of Girolamo Campagna. The bases of this pair of firedogs probably bear the arms of Barbaro of Venice. They were bought by the Museum from the collection of Soulages in 1863.

Jules Soulages was a collector of French and Italian Renaissance art. After his death his collection was acquired by the Museum. Born in Toulouse in 1803, Jules Soulages practised as a lawyer in Paris and was founding member of the Société Archeologique du Midi de la France. He created an extensive collection of French and Italian Renaissance decorative art from 1825.
Soulages died on 13 October 1857, aged 54. The dealer John Webb was despatched to examine and report on the collection, which was purchased between 1859 and 1865 in installments for £11,000 with the assistance of 73 subscribers.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Firedog
  • Firedog
Materials and techniques
Bronze. Quaternary alloy with antimony, nickel and silver.
Brief description
Firedogs, pair, bronze, statuette of Adonis and statuette of Venus, style of Girolamo Campagna, Venice, ca. 1590-1620
Physical description
The bases of this pair of firedogs probably bear the arms of Barbaro of Venice. The pedestals have open strap or cartouche work, with satyrs, amorini and in the round are respectively supported statuettes of Venus and Adonis.
Dimensions
  • Height: 116cm (Note: 8431-1863)
  • Height: 117cm (Note: 8431A-1863)
Object history
Bought from the Soulages Collection for £300 in 1863.
Subjects depicted
Summary
This pair of firedogs representing Adonis and Venus is made in Venice in the first quarter of the 17th century in the style of Girolamo Campagna. The bases of this pair of firedogs probably bear the arms of Barbaro of Venice. They were bought by the Museum from the collection of Soulages in 1863.

Jules Soulages was a collector of French and Italian Renaissance art. After his death his collection was acquired by the Museum. Born in Toulouse in 1803, Jules Soulages practised as a lawyer in Paris and was founding member of the Société Archeologique du Midi de la France. He created an extensive collection of French and Italian Renaissance decorative art from 1825.
Soulages died on 13 October 1857, aged 54. The dealer John Webb was despatched to examine and report on the collection, which was purchased between 1859 and 1865 in installments for £11,000 with the assistance of 73 subscribers.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1863. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 31
  • Burns, H., Fairbairn, L. and Boucher, B (eds.). Andrea Palladio 1508-1580 the Portico and the Farmyard. Arts Council of Great Britain and the Centro Internazionale di Studi di Architettura Andrea Palladio, Vicenza Arts Council 1975, p. 61
  • Catalogue of the Soulages Collection, by J. C. Robinson, London, december 1856, p. 109
  • Avery, Victoria. ‘Campane, Cavedoni, Candelieri and Caramali: Giacomo Calerari (c. 1562-1622), bell-maker and bronze-caster of Venice’, in: Motture, Peta; Jones, Emma; Zikos, Dimitrios, eds. Carvings, Casts & Collectors: The Art of Renaissance Sculpture. London: Victoria and Albert Museum, 2013, pp. 236-251; p. 242, pl. 5
  • Motture, Peta. “The Production of Firedogs in Renaissance Venice”, in: Motture, Peta (ed.), Large Bronzes in the Renaissance, National Gallery of Art, Washington, 2003, pp. 276-307 p. 296
Collection
Accession number
8431-1863

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 24, 2009
Record URL
Download as: JSONIIIF Manifest