Pen Box (Qalamdan)
1850-75 (made)
Artist/Maker | |
Place of origin |
The primary function of a pen box (qalamdan) was as a writing implement - made of papier mache, wood or other materials, including precious metals – intended to hold a number of tools associated with the art and act of writing, including reed pens, an inkwell, liqah (a cotton wool substance used to absorb excess ink), a penknife, a qat’zan (a flat resting board made of horn), a whetstone, a small spoon, and a pair of scissors. These accessories were considered essential elements for a scribe. The box that kept these elements was deemed, by association, as important as the person who handled its contents, with the quality of the box’s decoration directly reflecting the status of the scribe or patron.
Pen boxes were carried by penmen of all ranks, often tucked into the shawls tied around their waists, symbolising a badge of their trade. So esteemed was the pen box that even Shahs commissioned them; these rare examples are confirmed by their inscriptions. The earliest specimens of this type date from the reign of Shah Sulayman Safavi (1664-95), but later Qajar examples commissioned by members of high bureaucracy also exist throughout the nineteenth century.
Pen boxes were carried by penmen of all ranks, often tucked into the shawls tied around their waists, symbolising a badge of their trade. So esteemed was the pen box that even Shahs commissioned them; these rare examples are confirmed by their inscriptions. The earliest specimens of this type date from the reign of Shah Sulayman Safavi (1664-95), but later Qajar examples commissioned by members of high bureaucracy also exist throughout the nineteenth century.
Object details
Category | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Papier-mache; painted; varnished |
Brief description | Pen box (qalamdan), Iran, Qajar period, 1850-75 |
Physical description | Oblong shaped pen box with rounded edges made of papier mache (pasteboard), painted and varnished on all sides with a finely painted decoration of alternating cusped medallions, each painted inside with polychrome and gold floral scrolls and arabesques. The cover of the box has a single lobed medallion painted inside with a courtly or elite woman dressed in European costume, flanked by a female attendant and an elderly bearded man clasping her bare breasts. |
Dimensions |
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Object history | This object was purchased in Iran by Robert Murdoch Smith on behalf of the Museum, from an un-named Persian source in Tehran. It was part of a batch of fifteen objects, including woven and embroidered textiles, metalwork, carved stone and painted pasteboard. Murdoch Smith wrote: "I have purchased [these] objects which I think would be very suitable for the Museum. I will retain them at your disposal should you decide on acquiring them, and if not, I do not object to keeping them myself. It is almost impossible to get Persians to keep such articles pending a reference from London, especially as there are several people now in Teheran ready to buy, notably Baron Reuter's Agent, and one of the members of the Austrian Legation" (V&A Archive). |
Summary | The primary function of a pen box (qalamdan) was as a writing implement - made of papier mache, wood or other materials, including precious metals – intended to hold a number of tools associated with the art and act of writing, including reed pens, an inkwell, liqah (a cotton wool substance used to absorb excess ink), a penknife, a qat’zan (a flat resting board made of horn), a whetstone, a small spoon, and a pair of scissors. These accessories were considered essential elements for a scribe. The box that kept these elements was deemed, by association, as important as the person who handled its contents, with the quality of the box’s decoration directly reflecting the status of the scribe or patron. Pen boxes were carried by penmen of all ranks, often tucked into the shawls tied around their waists, symbolising a badge of their trade. So esteemed was the pen box that even Shahs commissioned them; these rare examples are confirmed by their inscriptions. The earliest specimens of this type date from the reign of Shah Sulayman Safavi (1664-95), but later Qajar examples commissioned by members of high bureaucracy also exist throughout the nineteenth century. |
Collection | |
Accession number | 1066:1-1875 |
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Record created | June 24, 2009 |
Record URL |
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