Àdìrẹ is an indigo-dyed cloth traditionally produced by Yoruba women in south-western Nigeria. A range of resist-dye techniques are used to create àdìrẹ patterns, sometimes incorporating more than one technique in a single cloth. The ground-cloth of cotton is folded, stitched, tied or otherwise worked-upon in preparation for dyeing; these areas resist the dye, creating the cloth’s distinctive blue and white patterns. The precise origins of àdìrẹ are unknown, though indigo-dyeing has been in evidence across West Africa for centuries. Àdìrẹ has an enduring presence in the region, becoming a popular, everyday cloth, with many women dyeing àdìrẹ of their own design within the home. Once dyed, àdìrẹ cloth can be wrapped or stitched to create garments, such as a woman’s ìró (wrapped skirt). From the 20th century onwards, factory-woven cloth began to be used; this cloth accepted the dye more easily, creating a finer clarity of design. Whist factories are now able to mass-produce imitation àdìrẹ, the popularity of the traditional hand-worked cloth remains, made by local artisans in historic dyeing centres such as Ibadan.

Àdìrẹ is subcategorised according to the method of resist-dyeing used, each of which carries its own history and produces its own recognisable effect. This particular cloth is an example of àdìrẹ oniko, which specifically uses raffia to create the resist. The pattern has been created by gathering and binding the cloth very tightly at various points with raffia. It would then have been dyed in large earthenware dye pots partially sunk into the ground. Both the tying and the dyeing would have been done by women. Once dyed, the raffia is removed and areas of undyed cloth revealed, appearing as a white pattern on blue ground.

Àdìrẹ is usually composed of two panels stitched together along the long edges creating one whole piece. This would be worn by women wrapped around the waist with the seam running horizontally, forming an ìró (wrapped skirt). However, in this example there is only one strip of cloth.