Àdìrẹ cloth thumbnail 1
Àdìrẹ cloth thumbnail 2
Image of Gallery in South Kensington
Not currently on display at the V&A
On short term loan out for exhibition

Àdìrẹ cloth

Textile
1960-1964 (made)
Artist/Maker
Place of origin

Àdìrẹ is an indigo-dyed cloth traditionally produced by Yoruba women in south-western Nigeria. A range of resist-dye techniques are used to create àdìrẹ patterns, sometimes incorporating more than one technique in a single cloth. The ground-cloth of cotton is folded, stitched, tied or otherwise worked-upon in preparation for dyeing; these areas resist the dye, creating the cloth’s distinctive blue and white patterns. The precise origins of àdìrẹ are unknown, though indigo-dyeing has been in evidence across West Africa for centuries. Àdìrẹ has an enduring presence in the region, becoming a popular, everyday cloth, with many women dyeing àdìrẹ of their own design within the home. Once dyed, àdìrẹ cloth can be wrapped or stitched to create garments, such as a woman’s ìró (wrapped skirt). From the 20th century onwards, factory-woven cloth began to be used; this cloth accepted the dye more easily, creating a finer clarity of design. Whist factories are now able to mass-produce imitation àdìrẹ, the popularity of the traditional hand-worked cloth remains, made by local artisans in historic dyeing centres such as Ibadan.

Àdìrẹ is subcategorised according to the method of resist-dyeing used. In this example, both àdìrẹ alábẹ́rẹ́ and àdìrẹ ẹlékọ techniques are in evidence, using stitching and starch respectively as the resist. On a groundcloth of factory-woven cotton, white colour blocks have been created by applying starch to sections of the cloth, while the faint hand motif has been made by machine-sewing the design into the cloth and then unpicking it after it has been dyed. Such machine-stitching is completed by men, unlike all other types of àdìrẹ which women hand tie, stitch and paint before dyeing.

Àdìrẹ cloths are usually made up of two lengths of factory produced shirting sewn together to form a shape that is roughly square, typically worn by women wrapped around the waist with the seam running horizontally, forming an ìró (wrapped skirt). However, in this example the cloth has been cut into strips about 19cm wide which have been sewn together to form a standard sized cloth. The use of strips imitates locally woven cloth that is produced in narrow strips.

Delve deeper

Discover more about this object
read Àdìrẹ – 'tied and dyed' indigo textiles

Object details

Categories
Object type
TitleÀdìrẹ cloth
Materials and techniques
Indigo-dyed and starch resist cotton, machine-sewn.
Brief description
Àdìrẹ cloth, indigo resist-dyed cotton, Nigeria, probably Ibadan, 1960-1964
Physical description
Indigo resist dyed cotton. Both starch and machine sewing have been used as resists The cloth is made up of eight strips that are each 19cm wide with alternating areas of blue and white and a pattern of hands that has been machine sewn before being dyed.
Dimensions
  • Length: 170cm
  • Width: 152cm
Gallery label
Certain cloths became celebrated symbols of independence. In Nigeria, attention turned to àdìrẹ, an indigo resistdyed cloth historically made by the Yoruba which was part of local fashion in many areas of Nigeria. Tourists also bought examples to take back home, raising àdìrẹ’s profile internationally. Although factories mass-produced imitations, the popularity of the traditional hand-worked cloth remained, made by local artisans in historic dyeing centres like Ibadan. Meanwhile, Nigerian designers incorporated àdìrẹ into their contemporary designs, securing its future as a fashion fabric. (CIRC.307-1964, CIRC.588-1965, CIRC.592-1965, CIRC.593-1965, CIRC.755-1967) V&A, Room 40, Africa Fashion(02/07/2022 - 16/04/2023)
Object history
One of eight àdìrẹ cloths purchased for the museum by Jane Barbour in the 1960s. All eight cloths were purchased in Ibadan, where Barbour's husband worked at the university.

We are very grateful to Professor John Picton for his advice in identifying several African textiles held by the V&A.
Summary
Àdìrẹ is an indigo-dyed cloth traditionally produced by Yoruba women in south-western Nigeria. A range of resist-dye techniques are used to create àdìrẹ patterns, sometimes incorporating more than one technique in a single cloth. The ground-cloth of cotton is folded, stitched, tied or otherwise worked-upon in preparation for dyeing; these areas resist the dye, creating the cloth’s distinctive blue and white patterns. The precise origins of àdìrẹ are unknown, though indigo-dyeing has been in evidence across West Africa for centuries. Àdìrẹ has an enduring presence in the region, becoming a popular, everyday cloth, with many women dyeing àdìrẹ of their own design within the home. Once dyed, àdìrẹ cloth can be wrapped or stitched to create garments, such as a woman’s ìró (wrapped skirt). From the 20th century onwards, factory-woven cloth began to be used; this cloth accepted the dye more easily, creating a finer clarity of design. Whist factories are now able to mass-produce imitation àdìrẹ, the popularity of the traditional hand-worked cloth remains, made by local artisans in historic dyeing centres such as Ibadan.

Àdìrẹ is subcategorised according to the method of resist-dyeing used. In this example, both àdìrẹ alábẹ́rẹ́ and àdìrẹ ẹlékọ techniques are in evidence, using stitching and starch respectively as the resist. On a groundcloth of factory-woven cotton, white colour blocks have been created by applying starch to sections of the cloth, while the faint hand motif has been made by machine-sewing the design into the cloth and then unpicking it after it has been dyed. Such machine-stitching is completed by men, unlike all other types of àdìrẹ which women hand tie, stitch and paint before dyeing.

Àdìrẹ cloths are usually made up of two lengths of factory produced shirting sewn together to form a shape that is roughly square, typically worn by women wrapped around the waist with the seam running horizontally, forming an ìró (wrapped skirt). However, in this example the cloth has been cut into strips about 19cm wide which have been sewn together to form a standard sized cloth. The use of strips imitates locally woven cloth that is produced in narrow strips.
Bibliographic reference
Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum.
Collection
Accession number
CIRC.593-1965

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Record createdJune 24, 2009
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