Not currently on display at the V&A

Charger

ca. 1905 (made)
Artist/Maker
Place of origin

Gustav Stickley (1857-1942), American designer and metalworker, was born in Wisconsin and trained as a stonemason. He moved to Pennsylvania in 1876 and was apprenticed to his uncle, who made plain chairs with cane seats, and then to other relatives. In 1898 he visited Europe, meeting Voysy and other designers in England, and on his return formed the Gustav Stickley Company in Eastwood, near Syracuse, New York. In 1900 he exhibited at Grand Rapids and the same year enlarged the company, which became the Craftsman Workshops, with their own timber mills in the Adirondacks. He exhibited at the Pan-American Exposition in Buffalo in 1905, sharing a stand with Grueby Faience Co. From October 1901 to December 1916 he published The Craftsman. From April 1903 to January 1904 the designer-architect Harvey Ellis worked for him, ornamenting furniture with inlaid metals. From 1902 they also produced metalwork. In 1905 the administrative office was moved to New York, but the firm went bankrupt and was taken over by L. and J.G. Stickley in April 1915 as the Stickley Manufacturing Company.


Object details

Categories
Object type
Materials and techniques
Copper, raised and embossed
Brief description
Dish or charger; embossed copper; designed and made by Gustav Stickley; United States, ca. 1905
Physical description
Circular charger or salver, embossed copper, the centre a shallow depressed bowl surrounded by a wide rim with a plain circular moulding and four embossed tulips with looped stems.
Dimensions
  • Diameter: 47.7cm
  • Depth: 2.7cm
Marks and inscriptions
No marks
Credit line
Given by Francis Ames-Lewis in memory of Felicity Ashbee
Object history
Acquired by Felicity Ashbee from the last owner of the Magpie and Stump, the house designed and built by her father C.R. Ashbee in Cheyne Walk, 1893-4 and demolished in 1968.
Historical context
Gustav Stickley (1857-1942), American designer and metalworker, was born in Wisconsin and trained as a stonemason. He moved to Pennsylvania in 1876 and was apprenticed to his uncle, who made plain chairs with cane seats, and then to other relatives. In 1898 he visited Euroipe, meeting Voysy and other designers in England, and on his return formed the Gustav Stickley Company in Eastwood, near Syracuse, New York. In 1900 he exhibited at Grand Rapids and the same year enlarged the company, which became the Craftsman Workshops, with their own timber mills in the Adirondacks. He exhibited at the Pan-American Exposition in Buffalo in 1905, sharing a stand with Grueby Faience Co. From October 1901 to December 1916 he published The Craftsman. From April 1903 to January 1904 the designer-architect Harvey Ellis worked for him, ornamenting furniture with inlaid metals. From 1902 they also produced metalwork. In 1905 the administrative office was moved to New York, but the firm went bankrupt and was taken over by L. and J.G. Stickley in April 1915 as the Stickley Manufacturing Company.
Subject depicted
Summary
Gustav Stickley (1857-1942), American designer and metalworker, was born in Wisconsin and trained as a stonemason. He moved to Pennsylvania in 1876 and was apprenticed to his uncle, who made plain chairs with cane seats, and then to other relatives. In 1898 he visited Europe, meeting Voysy and other designers in England, and on his return formed the Gustav Stickley Company in Eastwood, near Syracuse, New York. In 1900 he exhibited at Grand Rapids and the same year enlarged the company, which became the Craftsman Workshops, with their own timber mills in the Adirondacks. He exhibited at the Pan-American Exposition in Buffalo in 1905, sharing a stand with Grueby Faience Co. From October 1901 to December 1916 he published The Craftsman. From April 1903 to January 1904 the designer-architect Harvey Ellis worked for him, ornamenting furniture with inlaid metals. From 1902 they also produced metalwork. In 1905 the administrative office was moved to New York, but the firm went bankrupt and was taken over by L. and J.G. Stickley in April 1915 as the Stickley Manufacturing Company.
Bibliographic references
  • Greenhalgh, Paul (Ed.), Art Nouveau: 1890-1914 . London: V&A Publications, 2000
  • Eric Turner, An Introduction to English Silver, London, HMSO., 1985, p.37. ill.
  • Alan Crawford: 'Changes on Cheyne Walk' in ARCHITECTURAL REVIEW, no. 1039, September 1983, pp.77-80
  • Charles Rowley, The New 'Magpie and Stump' - A successful experiment in domestic architecture, Studio, n.25, Vol.5 (April 1895)
Collection
Accession number
M.3-2009

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Record createdJune 24, 2009
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