Ornamental Inheritance thumbnail 1
Ornamental Inheritance thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 145

Ornamental Inheritance

Garniture
2005 (made)
Artist/Maker
Place of origin

This selection of garniture, by Jo Meesters and Marije van der Park, can be seen as a typical response of a younger generation to certain strategies that became well known in the 1990's in Dutch design, particularly the transformative use of found objects. A more contemporary set of concerns is depicted in the re-worked decoration which is in explicit reference to the process of globalization. The newly formed decoration has been cleverly couched within an existing motif, blue and white floral decoration, reminiscent of the willow pattern.
Both Meesters and Van Der Park studied at the Design Academy in Eindhoven. They borrow from craft, design and conceptual art to produce their designs. They had a joint practice until 2006, after which they divided the company so they could broaden their horizon. Jo Meesters focusing on interior product design, while Marije can der Park on the social awareness of product design.


Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Vase
  • Vase
  • Cover
  • Vase
TitleOrnamental Inheritance (assigned by artist)
Materials and techniques
Earthenware, transfer-printed, sandblasted, glazed
Brief description
'Ornamental Inheritance' garniture, found vases re-worked, Jo Meesters and Marije van der Park, Netherlands, 2005
Physical description
Three vases make up 'Ornamental Inheritance', the makers have found three transfer-printed earthenware vases and re-worked them by sandblasting parts of the outer layer of original blue and white floral decoration away to reveal a new pattern resembling a city's horizon.
Credit line
Acquired through the Contemporary Ceramics Private Donors Fund
Summary
This selection of garniture, by Jo Meesters and Marije van der Park, can be seen as a typical response of a younger generation to certain strategies that became well known in the 1990's in Dutch design, particularly the transformative use of found objects. A more contemporary set of concerns is depicted in the re-worked decoration which is in explicit reference to the process of globalization. The newly formed decoration has been cleverly couched within an existing motif, blue and white floral decoration, reminiscent of the willow pattern.
Both Meesters and Van Der Park studied at the Design Academy in Eindhoven. They borrow from craft, design and conceptual art to produce their designs. They had a joint practice until 2006, after which they divided the company so they could broaden their horizon. Jo Meesters focusing on interior product design, while Marije can der Park on the social awareness of product design.
Collection
Accession number
C.71:1 to 4-2008

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Record createdJune 24, 2009
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