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Not currently on display at the V&A

Spoon


This is an example of a type of spoon described as a 'trefid' pattern, so-called after the way the end of the stem is split into three sections. The design is completely different to that of earlier spoons made in England, and is almost certainly inspired by contemporary examples from the Continent, particularly France. Goldsmiths' Company court minutes from the 1660s refer to 'French fashion spoons', which probably looked similar to this one. This new fashion meant the finial of the spoon was designed so that the spoon could be placed on the table with its open bowl down (the opposite of how it would be placed on the table today). This is why the initials of the original owner were engraved on what we would now think of as the back of the spoon. The date letter to indicate when this spoon was tested (or 'assayed') to determine the standard of its silver has worn away. However, the spoon displays two features typical of English spoons of the 1680s, namely a parallel, flat stem which widens near the top to form the trefid finial, and the small pips in the notches of the finial itself. The scroll pattern at the top of the rat-tail is rare among spoons of this type which survive today.


Object details

Object type
Materials and techniques
Brief description
Spoon, silver, English (London), around 1680-1690 (date letter indecipherable); maker's mark indecipherable
Physical description
Sterling silver spoon, trefid pattern with scroll decorated ribbed rat tail
Dimensions
  • Length: 13.5cm
  • Weight: 19g
Marks and inscriptions
  • On the back of the stem of the spoon, L to R from bowl: maker's mark, indecipherable; crowned leopard's head, the mark of the London assay office; lion passant, mark for sterling silver standard; date letter worn away.
  • Translation
    On back of finial: initials 'A I' pricked and scratched; these are only faintly visible as have been worn/erased.
Credit line
Bequeathed by Arthur Hurst.
Summary
This is an example of a type of spoon described as a 'trefid' pattern, so-called after the way the end of the stem is split into three sections. The design is completely different to that of earlier spoons made in England, and is almost certainly inspired by contemporary examples from the Continent, particularly France. Goldsmiths' Company court minutes from the 1660s refer to 'French fashion spoons', which probably looked similar to this one. This new fashion meant the finial of the spoon was designed so that the spoon could be placed on the table with its open bowl down (the opposite of how it would be placed on the table today). This is why the initials of the original owner were engraved on what we would now think of as the back of the spoon. The date letter to indicate when this spoon was tested (or 'assayed') to determine the standard of its silver has worn away. However, the spoon displays two features typical of English spoons of the 1680s, namely a parallel, flat stem which widens near the top to form the trefid finial, and the small pips in the notches of the finial itself. The scroll pattern at the top of the rat-tail is rare among spoons of this type which survive today.
Bibliographic references
  • Bradbury's book of hallmarks: a guide to marks of origin on English, Scottish and Irish silver, gold and platinum and on foreign imported silver and gold plate 1544 to 1992, Old Sheffield plate makers' marks, 1743-1860, originally compiled by Frederick Bradbury. New ed., rev. Sheffield: J.W. Northend Ltd., 1991. ISBN: 0901100285
  • Clayton, Michael. The Collector’s Dictionary of the Silver and Gold of Great Britain and North America, 2nd edn, rev. Woodbridge, Suffolk: Antique Collectors’ Club, 1985. ISBN 090746257X
  • Snodin, Michael. English Silver Spoons. London: Charles Letts, 1974. ISBN 850971101
Collection
Accession number
M.279-1940

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Record createdJune 24, 2009
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