- Place of origin:
- Materials and Techniques:
silver, gold, copper and silk, woven
- Museum number:
- Gallery location:
Europe 1600-1815, Room 2, The Wolfson Gallery, case CA1
Silk ribbons were used for a multitude of utilitarian and decorative purposes in 18th-century fashionable dress – for the ornamentation of women’s gowns, for garters to keep up stockings, for lacing for stays and shoes, for tying back wigs and ornamenting elaborate hairstyles and headdresses. Diderot’s Encyclopaedia in 1772 described these uses succinctly in its definition of ribbon: ‘a flat, narrow and thin fabric, used to tie, edge or ornament, for garments as well as furnishings’. Ribbons were subject to changes in fashion, just as wide silks were.
Ribbons could be bought at fairs, from travelling pedlars or from the high class retailers of major cities such as Paris (e.g. the marchands merciers of the Faubourg St Honoré which is still the city's luxury quarter today). These retailers stocked large quantities of ribbons of all sorts - from the simplest to the most elaborate - to sell to their customers, French ribbons being complemented by Dutch, Flemish, German and Swiss goods.
Narrow-woven silk, or ribbon, made of silk and metal threads, with a small metal fringe at each end. XRF analysis reveals that the two gilded silver threads were used, silver being the predominant metal, small amounts of copper and gold also seen. The metal was wound round a core of silk. The metal threads woven in create the scalloping edge at intervals down the edge. Green and coral are used to create a pattern that is reversible, green, silver and gold on one side, coral, silver and gold on the other. The pattern motif is created using warp threads in the colours. The metal fringe is made of three different qualities of metal - a wire wound round a silk core (filé), a curly wire (frisé) and a flat beaten metal (lame).
Place of Origin
Materials and Techniques
silver, gold, copper and silk, woven
Length: 325 mm, Width: 25 mm, Length: 37 mm pattern repeat
Object history note
Acquired for the Museum for 9/- in 1871, on recommendation of Sir M.D.Wyatt, from Mr Murray Marks of Oxford Street London as part of a collection of textiles. Thought to be 18th-century French (Lyon) at that time. Of the collection, Wyatt wrote that it was important because of 'the number, variety and beauty of the bulk of the specimens. It will form a most excellent sequel to the early textiles obtained from Dr Bock' (Art referee report, 47257, 8 December 1870).
woven silk, with silver and silver gilded threads, 1700-50, probably French
Bibliographic References (Citation, Note/Abstract, NAL no)
La Soie. Recueil d’articles sur l’art et l’histoire de la soie, eds. Jean-Pierre Jelmini, Caroline Clerc-Junier and Roland Kaehr, Musée d’Art et d’Histoire, Neuchâtel, 1986
Ulrich Pfister, ‘Craft Guilds and Technological Change’ in S.R. Epstein & Maarten Prak eds, Guilds, Innovation, and the European Economy, 1400-1800, Cambridge, 2008, pp. 172-98
Giliberte Vrignaud, Vêture et Parure au dix-huitième siècle, Paris, 1996, pp. 149-57
The weaving of silk ribbons (sometimes called narrow-weaving) was carried out in a number of European cities in the 18th century, notably in the French cities of Lyon, Paris, and Tours, alongside the production of elaborate wide silks for furnishings and dress. Saint-Chamond and Saint-Etienne in the Stéphanois, some 40-50 kilometres south of Lyon, gradually became the main centres of the production of the most fashionable and complex silk ribbons, such as this.
In France, ribbons were generally between 3 and 22 cm wide, guild regulations stipulating they had to be less than 40cm in width, in other words at least 10cm narrower than a dress silk. The engine loom (métier à la barre), first used in 1604 in Leiden, was only adopted in France from 1736 and officially promoted by the French government from 1769. It allowed the production of eight or more ribbons at the same time on the same loom, but was only suited to the weaving of simpler ribbons initially. It began to be used in Saint-Chamond and Saint-Etienne from 1750.
Silk; Silver; Copper; Gold
Accessories; Clothing; Fashion; Textiles; Europeana Fashion Project
Textiles and Fashion Collection