We don’t have an image of this object online yet. V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: 547A-1878
Find out about our images

Not currently on display at the V&A

Tile

1860-1875 (made)
Artist/Maker
Place of origin

Tile, glazed fritware, moulded design painted in black outline with details in pink, yellow and turquoise, depicting a falconer on horseback, in a stylised floral landscape (including poppy flowers), reserved against dark blue ground.


Object details

Categories
Object type
Materials and techniques
Fritware, moulded and underglaze painted
Brief description
Middle East, Ceramic, Tile; Tile, moulded fritware, depicting a falconer on horseback, Isfahan, Iran, 1860-1875
Physical description
Tile, glazed fritware, moulded design painted in black outline with details in pink, yellow and turquoise, depicting a falconer on horseback, in a stylised floral landscape (including poppy flowers), reserved against dark blue ground.
Dimensions
  • Height: 18.8cm
  • Width: 13.7cm
  • Depth: 2.2cm
Style
Object history
This tile was bought as part of a much larger consignment of Iranian art objects for the South Kensington Museum (today the V&A) by Robert Murdoch Smith in Tehran, 1878. The vendor was Jules Richard, a French art-dealer based in Iran from 1844. Between 1875 and 1889, he was the South Kensington Museum's principal source of Iranian art objects, purchased via the Museum's agent Murdoch Smith, who also lived in Tehran. Richard specified that this horseman tile (together with five related tiles) had been brought to Tehran from Isfahan.
Production
Many versions of this moulded tile were sold from the 1860s onwards, in both Iran and Europe. The mounted falconer is dressed in a seventeenth-century Safavid style, and the theme's great popularity confirms that the city's historic past was still celebrated in nineteenth-century Isfahan. Further examples are in the V&A collection (V&A 623-1868, 624-1868, 283-1874, 1502A-1876, 547-1878, 547A-1878). While these were usually bought singly, multiple sequences of the same tile were installed in the London home of the art connoisseur Ionides (1 Holland Park), and also in a late Safavid bathhouse in Isfahan. The art-dealer Ferdinand Méchin stated the design to be a seventeenth-century portrait of the Safavid Shah Abbas II (1642-66), but others were not convinced.
Associations
Bibliographic references
  • Friederike Voigt, "Falkenreiter und Liebespaar: Das Bild im keramischen Architekturdekor Irans zur Zeit der Qadscharen (1796-1925)", Baessler Archiv 55 (2007) pp.43-101.
  • Moya Carey, Persian Art. Collecting the Arts of Iran for the V&A (London: V&A, 2018) pp.76-79.
Collection
Accession number
547A-1878

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 24, 2009
Record URL
Download as: JSON