Plate thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 139, The Curtain Foundation Gallery

Plate

ca. 1775 (made)
Artist/Maker
Place of origin

Plate of soft-paste porcelain painted with crimson enamel and gilded. Scalloped edge. In the well is an Italianate landscape showing classical ruins and a fountain by which are a peasant boy and girl. In the border are flowers and sprigs.


Object details

Categories
Object type
Materials and techniques
Soft-paste porcelain painted with crimson enamel and gilded
Brief description
Plate of soft-paste porcelain painted with crimson enamel and gilded, decorated in London, probably in the workshop of James Giles, made by Worcester porcelain factory, Worcester, ca. 1775
Physical description
Plate of soft-paste porcelain painted with crimson enamel and gilded. Scalloped edge. In the well is an Italianate landscape showing classical ruins and a fountain by which are a peasant boy and girl. In the border are flowers and sprigs.
Dimensions
  • Diameter: 22.9cm
Credit line
Given by Mrs Dora E. Grubbe
Object history
See notes for C.880-1935
The source for the design is an engraving by the engraver-publisher François Vivares (1709-1780) after a painting by Franz de Paula Ferg (1689-1737/40?), probably inspired by Nicolaes Berchem. See Jacob-Hansen below.
Subjects depicted
Bibliographic references
  • Mallet, J.V.G.. Further thoughts on the Grubbe Plates. Transactions of the English Ceramic Circle, 2012, vol. 23, pp. 213-229.
  • Mitchell, Sir Stephen. The Grubbe Pieces: a review of the reasons for the James Giles attributions. Transactions of the English Ceramic Circle, 2011, vol. 22, pp. 15-37.
  • Jacob-Hansen, Charlotte. A Giles Italianate Service: Fifteen Worcester Plates Reveal a Decorative Grand Tour. American Ceramics Journal, Vol. XVII, 2013, pp. 4-47. Illustrated fig. 2, 6p. The source for the Italianate scene is identified fig. 7, 14p: The Rural Conversation, an engraving by the engraver-publisher François Vivares (1709-1780) after a painting by Franz de Paula Ferg (1689-1737/40?), probably inspired by Nicolaes Berchem (1621/22-1683). The example of the engraving illustrated is in the British Museum.
Collection
Accession number
C.879-1935

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Record createdJune 24, 2009
Record URL
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