Beaker thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Glass, Room 131

Beaker

ca. 1812 (made)
Artist/Maker
Place of origin

This beaker inscribed 'La Reconnaissance' (gratitude) shows a female partly clothed in Classical dress giving thanks by making an offering of fruit as a sacrifice. The initials ‘C.K.’ are thought to be those of the client. The beaker was probably painted by Gottlob Samuel Mohn (1789-1825), who learned the art of transparent enamelling on glass in his father's workshop in Germany, and at the Dresden Academy. In 1811 he moved to Vienna, Austria, where he became famous for his beakers painted with panoramic views of towns, buildings, flowers and allegorical scenes, such as this one.


Object details

Categories
Object type
Materials and techniques
Enamelled and gilt glass
Brief description
Beaker, Austria (Vienna), probably painted by Gottlob Samuel Mohn, 1811-12
Physical description
Probably painted by Gottlob Samuel Mohn. 'La Reconnaissance' (gratitude) shows a female partly-clothed in classical dress giving thanks by making an offering of fruit as a sacrifice. The initials C.K. are thought to be those of the client.Gottlob Samuel Mohn learnt the art of transperent enamelling on glass in his father's workshop, and at the Dresden Academy. In 1811 he moved to Vienna where he became famous for his beakers painted with panoramic viewsof towns, with buildings, flowers and allegorical scenes, such as this. Inscribed "La Reconnaissance"and "C.K."
Dimensions
  • Height: 11.7cm
  • Maximum width: 8.0cm
Height 11.7 cm Width 8.0 cm
Styles
Marks and inscriptions
Inscribed 'La Reconnaissance' and 'C.K.' (Decoration and probably initials of client.)
Gallery label
  • 'La Reconnaissance' (Gratitude) shows a female partly-clothed in classical dress giving thanks by making a sacrificial offering of fruit at an altar. The initials C.K. are thought to be those of the client. Gottlob Samuel Mohn learnt the art of transparent enamelling on glass in his father's workshop, and at the Dresden Academy. In 1811 he moved to Vienna where he became famous for his beakers painted with panoramic views of towns, with buildings, flowers and allegorical scenes, such as this.
  • BEAKER C.154-1939 'American and European Art and Design 1800-1900' Mohn's father worked as an outworker, decorating the products of the Meissen porcelain factory, and then applied his skills to enamelling on glass. Gottlob Samuel learnt glass-painting and enamelling at the Dresden Academy, and in 1811 went to Vienna where he spent the rest of his career. He painted beakers with panoramic views of towns with buildings, flowers, theatrical characters, and sentimental emblematic scenes, like this one: 'La Reconnaissance' (gratitude) with a classical damsel giving thanks by making a sacrifice. The initials C.K. must be those of the client.(1987-2006)
Production
Olga Drahotova says that G. S. Mohn is stylistically close to both Samuel Mohn, his father, and Kothgasser. Kothgasser, although a painter in his own right, was also at the head of a group of porcelain and/or glass painters whose group style(generic term) is also known as Kothgasser. Kothgasser is recorded in the records of the Vienna Porcelain Factory as specialising in flowers. The garlands and borders on this beaker may be more typical of the Kothgasser style which throws some doubt on the attribution for this beaker. It is an early piece and may be by either Mohns or even Kothgasser.
Summary
This beaker inscribed 'La Reconnaissance' (gratitude) shows a female partly clothed in Classical dress giving thanks by making an offering of fruit as a sacrifice. The initials ‘C.K.’ are thought to be those of the client. The beaker was probably painted by Gottlob Samuel Mohn (1789-1825), who learned the art of transparent enamelling on glass in his father's workshop in Germany, and at the Dresden Academy. In 1811 he moved to Vienna, Austria, where he became famous for his beakers painted with panoramic views of towns, buildings, flowers and allegorical scenes, such as this one.
Bibliographic reference
Gläser der Empire-und Biedermeierzeit, G.E. Pazaurek (1923;p.181)
Other number
9367 - Glass gallery number
Collection
Accession number
C.154-1939

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Record createdDecember 13, 1997
Record URL
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