spoon
Spoon
1776-1777 (made)
1776-1777 (made)
Artist/Maker | |
Place of origin |
The records of the London goldsmiths' Garrard for 1760 include customer orders for spoons and forks which are described as 'turn'd back'. This is almost certainly a reference to pieces like this, in which the finial turns back or down so that they can be laid on the table with the bowl or tines uppermost (as we would set them on the table today). Turned back finials are unlike the French patterns which English goldsmiths imitated during the second half of the eighteenth century, and consequently this distinctive style has come to be known as 'Old English'. On the other hand, the single thread or reed around the edge of the handle is inspired by French styles, particularly table flatwares made by the immigrant Hugenot goldsmith who worked in London, Paul de Lamerie (1688-1751). The use of a single thread, as in this example, is uncommon.
Object details
Categories | |
Object type | |
Title | spoon (generic title) |
Materials and techniques | Silver, forged and engraved |
Brief description | Silver, English, London 1776-77, mark of George Smith III |
Physical description | Old English pattern with a reeded, or threaded edge and a single drop. Engraved on the finial with the crest of a wolf's head erased. |
Dimensions |
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Marks and inscriptions |
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Credit line | Gift of J.H. Fitzhenry |
Subjects depicted | |
Summary | The records of the London goldsmiths' Garrard for 1760 include customer orders for spoons and forks which are described as 'turn'd back'. This is almost certainly a reference to pieces like this, in which the finial turns back or down so that they can be laid on the table with the bowl or tines uppermost (as we would set them on the table today). Turned back finials are unlike the French patterns which English goldsmiths imitated during the second half of the eighteenth century, and consequently this distinctive style has come to be known as 'Old English'. On the other hand, the single thread or reed around the edge of the handle is inspired by French styles, particularly table flatwares made by the immigrant Hugenot goldsmith who worked in London, Paul de Lamerie (1688-1751). The use of a single thread, as in this example, is uncommon. |
Bibliographic references |
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Collection | |
Accession number | 190-1903 |
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Record created | June 24, 2009 |
Record URL |
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