Not currently on display at the V&A

Abstract Design: Rectangles with Trains

Dress Fabric
ca. 1946 (designed)
Artist/Maker
Place of origin

British artist and sculptor Henry Moore designed this print for the textile firm Ascher Limited, founded by Zika and Lida Ascher, Czech émigrés who moved to London in 1939. Along with other British and European artists, Moore was asked by Ascher to design prints for dress fabrics in order to create more exciting textiles than those that had been available during the Second World War.

Moore completed several variations on this pattern of rectangles. On close inspection the rectangles or 'trains' are an elaborate array of eighteen different ideas. Some of the rectangles are truncated into squares, while others are abbreviated, to create further variations. The general effect echoes that of Moore's drawings a decade earlier, where rows of rectangles containing linear designs touch on the fluid forms of the Surrealists and the hard-edged linear motifs of the Constructivists.


Object details

Categories
Object type
TitleAbstract Design: Rectangles with Trains (assigned by artist)
Materials and techniques
Screen-printed crêpe silk
Brief description
Crêpe silk dress fabric sample 'Rectangles with Trains', designed by Henry Moore for Ascher Ltd., London, ca. 1946
Physical description
Crêpe silk dress fabric sample, screen printed with a decorative regular pattern of large black squares and rectangles. Within each is an abstract motif in grey and white with some green and red detailing, all on a white ground with black irregular brush spots.
Dimensions
  • Height: 18cm
  • Width: 44cm
Marks and inscriptions
Transliteration
.
Object history
Purchased. Registered File number 1992/465.
Subject depicted
Summary
British artist and sculptor Henry Moore designed this print for the textile firm Ascher Limited, founded by Zika and Lida Ascher, Czech émigrés who moved to London in 1939. Along with other British and European artists, Moore was asked by Ascher to design prints for dress fabrics in order to create more exciting textiles than those that had been available during the Second World War.

Moore completed several variations on this pattern of rectangles. On close inspection the rectangles or 'trains' are an elaborate array of eighteen different ideas. Some of the rectangles are truncated into squares, while others are abbreviated, to create further variations. The general effect echoes that of Moore's drawings a decade earlier, where rows of rectangles containing linear designs touch on the fluid forms of the Surrealists and the hard-edged linear motifs of the Constructivists.
Collection
Accession number
T.95-1992

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Record createdJune 24, 2009
Record URL
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