Textile Fragment thumbnail 1
Not currently on display at the V&A

Textile Fragment

ca. AD500-700 (made)
Artist/Maker
Place of origin

A portion of a samite medallion (in two parts) woven in green and cream/buff. Egypt or Byzantine, ca. AD500-700. There are the remains of a border made of floral icons and guilloche. It encircles a mounted huntsmen with a bow, who is attacking a lion/tiger at the horse's feet. The warrior wears a cloak and the horse has a decorative harness. This image would be repeated, in reverse, within the floral border but the rest of the piece is missing. The pieces are stained and with some holes. Battles between men and animals symbolised the struggle between good and evil in human nature. Similar design as 2185-1900, 2185A-1900, 2186-1900, 292-1889 and 817-1903.

Samite (twill woven silk) was thought to originate from Persia under Sassanian rule (AD224-651). It was commonly decorated with pairs of animals and birds and set in pearled lotus roundels. It is often found in Western burials, within church possessions and along the Silk Road. Byzantine weaving workshops took on the samite technique to make it an essential weave of the period. It was a luxury textile of the Middle Ages brought to Europe when the Crusades opened up direct contact with the East. It was forbidden to the middle classes of France under the sumptuary rules c. 1470.

[This piece is 2185B-1900 TEX not 2185B-1900]


Object details

Categories
Object type
Materials and techniques
Woven silk
Brief description
Two fragments of samite from a medallion. Egypt or Byzantine, ca. AD500-700. Man on horseback.
Physical description
A portion of a samite medallion (in two parts) woven in green and cream/buff. There are the remains of a border made of floral icons and guilloche. It encircles a mounted huntsmen with a bow, who is attacking a lion/tiger at the horse's feet. The warrior wears a cloak and the horse has a decorative harness. This image would be repeated, in reverse, within the floral border but the rest of the piece is missing. The pieces are stained and with some holes. Battles between men and animals symbolised the struggle between good and evil in human nature. Similar design as 2185-1900, 2185A-1900, 2186-1900, 292-1889 and 817-1903.

[This piece is 2185B-1900 TEX not 2185B-1900]
Dimensions
  • Larger piece height: 110mm
  • Larger piece width: 115mm
  • Smaller piece height: 95mm
  • Smaller piece width: 65mm
Style
Credit line
Given by Robert Taylor Esq. in 1900.
Summary
A portion of a samite medallion (in two parts) woven in green and cream/buff. Egypt or Byzantine, ca. AD500-700. There are the remains of a border made of floral icons and guilloche. It encircles a mounted huntsmen with a bow, who is attacking a lion/tiger at the horse's feet. The warrior wears a cloak and the horse has a decorative harness. This image would be repeated, in reverse, within the floral border but the rest of the piece is missing. The pieces are stained and with some holes. Battles between men and animals symbolised the struggle between good and evil in human nature. Similar design as 2185-1900, 2185A-1900, 2186-1900, 292-1889 and 817-1903.

Samite (twill woven silk) was thought to originate from Persia under Sassanian rule (AD224-651). It was commonly decorated with pairs of animals and birds and set in pearled lotus roundels. It is often found in Western burials, within church possessions and along the Silk Road. Byzantine weaving workshops took on the samite technique to make it an essential weave of the period. It was a luxury textile of the Middle Ages brought to Europe when the Crusades opened up direct contact with the East. It was forbidden to the middle classes of France under the sumptuary rules c. 1470.

[This piece is 2185B-1900 TEX not 2185B-1900]
Collection
Accession number
2185B-1900

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Record createdJune 24, 2009
Record URL
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