Image of Gallery in South Kensington
On display at V&A South Kensington
Design 1900 to Now, Room 74

Plate

1923 (designed)
Artist/Maker
Place of origin

A white porcelain plate, with design of a seamstress at work in her studio to the centre, hand-painted, banded with one thick and one fine black line.


Object details

Categories
Object type
Materials and techniques
Brief description
Plate, porcelain, designed by Samokhvalov Alexander Nikolaevich, Russia, 20th Century
Physical description
A white porcelain plate, with design of a seamstress at work in her studio to the centre, hand-painted, banded with one thick and one fine black line.
Style
Gallery label
  • The Soviet worker as hero After the 1917 Revolution, Russia’s Imperial Porcelain Factory, which had almost exlusively served the ruling tsars, was renamed the State Porcelain Factory. In the 1920s, the factory produced many designs that glorified the status of factory workers in society. Here, the plate depicts a seamstress at work with her tools, while the mug shows a procession of labourers. Both use tones of black and red, a distinct palette associated with the Russian art movements Constructivism and Suprematism. Plate showing a seamstress at work, 1923–24 Designed by Alexander Nikolaevich Samokhvalov Manufactured by the State Porcelain Factory, Soviet Union (now Russia) Porcelain painted in enamel colours Given by Margaret Bulley Museum no. MISC.2:59-1934 Soviet mug with slogan ‘Shift is coming...’ (translated title), about 1924 Probably designed by Mikhail Mikhailovich Adamovich Manufactured by the State Porcelain Factory, Soviet Union (now Russia) Porcelain painted in enamel colours Given by Margaret Bulley Museum no. MISC.2:60-1934 The object sits in the 'Automation and Labour' section of the Design 1900-Now gallery opened in June 2021.(2021)
  • '27. Plate: 'The Seamstress' Designed by Alexander Nikolaevich Samokhvalov (Russian, 1894-1971), 1923 Made at the State Porcelain Factory, Leningrad, Russia, decorated 1924 Porcelain, painted decoration Bequeathed by Margaret Bulley Misc.2(59)-1934 The idealised worker with the tools of his trade was a subject addressed both in traditional Russin painting and, as here, in a somewhat faceted and 'Futurist' manner which paid homage to the 'new design'.'
Credit line
Given by Mrs Margaret H. Armitage (née Bulley)
Subject depicted
Collection
Accession number
MISC.2:59-1934

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Record createdJune 24, 2009
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