Not currently on display at the V&A

Flowers

Tapestry
1989 (made)
Artist/Maker
Place of origin

Established by the Government of Victoria in 1976, the Victorian Tapestry Workshop has an international reputation for its handwoven tapestries. The majority of its tapestries are large-scale corporate and public commissions, but there has also been a demand from individual clients keen to own small examples of work. In order to make its tapestries more widely available, the workshop put together a collection of specially designed small tapestries, to be woven in limited editions. A number of aritsts agreed to collaborate on the project and several spent time at the Workshop as artists in residence. Chris Capper is better known as a flower painter.


Object details

Categories
Object type
TitleFlowers (assigned by artist)
Materials and techniques
Tapestry woven
Brief description
Miniature tapestry, 'Flowers', designed by Chris Capper and woven by the Victorian Tapestry Workshop, Melbourne, 1989
Physical description
Hand woven Gobelin tapestry. Composition comprises of an aerial view of four pink flowers with green leaves. The flowers have pale pink petals with a darker pink centre. The tapestry has a blue, black and green narrow border.
Dimensions
  • Width: 23.6cm (Maximum)
  • Length: 23.2cm (Maximum)
  • Supporting board width: 35.5cm
  • Supporting board length: 35.5cm
Measured by conservation
Production typeUnique
Marks and inscriptions
'Artist: Chris Capper/Title: Flowers/Victorian Tapestry Workshop' (Label; English; Back of supporting board)
Object history
Produced for a travelling exhibition of the Victorian Tapestry Workshop's products. Acquired by the Textiles and Dress department of the V&A after being exhibited. Chris Capper is better known as a flower painter but collaborated with the Victorian Tapestry Workshop on this project.
Purchased. Registered File number 1994/1388.

Historical significance: This series of miniature tapestries was created by the Victorian Tapestry Workshop as a way of widening access to and ownership of their work. A number of artists, such as Stephen Benwell, the ceramic artist, agreed to collaborate on the project. Several of them spent time at the Workshop as artists in residence. This project differed from the usual large scale long-term work of the Workshop and provided individual, short-term and intimate challenges for the weavers.
Historical context
The Victorian Tapestry Workshop, established by the Government of Victoria in 1976, has an international reputation for the freshness, vitality and technical excellence of its hand-woven tapestries. The majority of the Workshop's tapestries are large-scale commissions, for display in venues such as arts complexes, schools and universities, corporate foyers and boardrooms. Between 1983 and 1988 the Workshop collaborated with Australian artist Arthur Boyd to produce a monumental tapestry for permanent display in the new Parliament House in Canberra. There has always been a demand from individual clients eager to own small examples of work and, in order to make their tapestries more widely available, the Workshop put together a collection of specially designed small tapestries to be woven in limited editions. Designs were commissioned from a number of Australian artists, several of whom spent time with the weavers as artists in residence.
Production
Reason For Production: Exhibition
Subject depicted
Summary
Established by the Government of Victoria in 1976, the Victorian Tapestry Workshop has an international reputation for its handwoven tapestries. The majority of its tapestries are large-scale corporate and public commissions, but there has also been a demand from individual clients keen to own small examples of work. In order to make its tapestries more widely available, the workshop put together a collection of specially designed small tapestries, to be woven in limited editions. A number of aritsts agreed to collaborate on the project and several spent time at the Workshop as artists in residence. Chris Capper is better known as a flower painter.
Bibliographic reference
The Woven Language of the Victorian Tapestry Workshop, Victorian Tapestry Workshop
Collection
Accession number
T.872-1994

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Record createdFebruary 28, 2000
Record URL
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