Textile Design thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case T, Shelf 53

Textile Design

1760s-1770s (painted)
Artist/Maker
Place of origin

The designer of this elaborate pattern for a textile is unknown, but its inscription shows that it was destined for printing with wood blocks by John Munns. Munns’ calico-printing manufactory was at Crayford, a town to the south east of London. A number of textile manufacturers were established there, taking advantage of the river Cray, a tributary of the river Thames, for the abundant water their work needed. Munns was in business from the 1760s until his bankruptcy in 1781, combining the trades of calico-printing and gunpowder-making.

By the mid-eighteenth century, wood-block printing on cotton and linen textiles had developed to a high standard. The dyeing techniques used to produce the strong fast colours on imported Indian chintzes which had dazzled European customers in the seventeenth century had been mastered. A commentator on the state of British textile arts in 1756 wrote : "chintz…can imitate the richest silk brocades, with a great variety of beautiful colours".


Object details

Categories
Object type
Materials and techniques
Watercolour and ink
Brief description
Watercolour, design for a printed textile, 1760s or 1770s.
Physical description
Design for a printed textile; 'lace' stripe and meander, with fantastic flowers, in pale pinks, blues and greens on white.
Dimensions
  • Height: 30.5cm
  • Width: 47cm
Marks and inscriptions
  • 'John Munns No A1064'
  • 'Cutt Compleat'
  • 'Cutt print Compleat D(ark) Red, 2 purple grounds 1 pale red do'
Subjects depicted
Summary
The designer of this elaborate pattern for a textile is unknown, but its inscription shows that it was destined for printing with wood blocks by John Munns. Munns’ calico-printing manufactory was at Crayford, a town to the south east of London. A number of textile manufacturers were established there, taking advantage of the river Cray, a tributary of the river Thames, for the abundant water their work needed. Munns was in business from the 1760s until his bankruptcy in 1781, combining the trades of calico-printing and gunpowder-making.

By the mid-eighteenth century, wood-block printing on cotton and linen textiles had developed to a high standard. The dyeing techniques used to produce the strong fast colours on imported Indian chintzes which had dazzled European customers in the seventeenth century had been mastered. A commentator on the state of British textile arts in 1756 wrote : "chintz…can imitate the richest silk brocades, with a great variety of beautiful colours".
Bibliographic reference
Hefford, Wendy The Victoria & Albert Museum’s Textile Collection: Design for Printed Textiles in England from 1750 to 1850. London: V&A Publications, 2002
Collection
Accession number
7275:297

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Record createdFebruary 21, 2000
Record URL
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