The lengthy manufacturing process, the intricacy of the decorative techniques, the expense of the raw materials and the range and scale of compositions and forms further enhanced the prestige of lacquer ware and restricted its use to the wealthy elite and merchant classes. The use of techniques such as 'maki-e' (sprinkled picture) to create objects of ornate beauty and utility, as upon this incense cabinet, was pivotal to lacquer wares endorsement as a luxury commodity rather the poor quality, plain wares of the underprivileged. Incense was also appreciated only by the wealthy members of society as incense had to be imported from the mainland of Asia. The collection of various scents by enthusiasts began during the Muromachi period (1336-1573). By the Edo period (1615-1868) the incense game had reached the height of its popularity. To play four types of incense would be chosen and only three burnt. Guests would smell the original incense then compete to guess each scent that was burnt or to guess the fourth unburnt scent. To indicate their choice an ivory counter would be placed in a box and the guesses then marked down on paper.

The utensils are:

A cylindrical box for the tokens used to indicate the players' guesses
An octagonal box for incense woods
A tiered box for incense woods, shown here in its patterned silk bag
A box for all utensils
A box and cover with divisions, probably for incense woods
A block for cutting woods with a knife