Not on display

Jamie Reid archive

Flyer
1976 (designed)
Artist/Maker
Place of origin

This flyer promoted the release of the Sex Pistols single, God Save The Queen, during the Queen's Jubilee in June 1977. In May of that year, the band had signed with Virgin Records, their third record label since forming in 1975. God Save The Queen was to be their first single released on the label. Not only did the song cause much controversy, but so did the artwork. The sleeve's platemakers were offended by the image of the Queen in Reid's design and initially refused to print it. In 2001, however, it was named the greatest record cover of all time by writers of the British rock music magazine, Q.

Jamie Reid's (b. 1947) cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren (1946-2010), later to become the manager of the Sex Pistols.

Object details

Categories
Object type
TitleJamie Reid archive (named collection)
Materials and techniques
Photocopied collage on paper
Brief description
Promotional flyer for Sex Pistols' single 'God Save The Queen', 1976. Jamie Reid archive
Physical description
Black and white photocopied flyer for Sex Pistols' single God Save the Queen. Oval shaped newspaper cutting of photographic portrait of Queen Elizabeth II with a safety pin through her mouth. Handwritten title around the edge of oval, with Sex Pistols logo in bottom left hand corner.
Dimensions
  • Height: 20.8cm
  • Width: 15.2cm
Production typeMass produced
Marks and inscriptions
  • GOD SAVE THE QUEEN / SHE AIN'T NO HUMAN BEING
  • SeX PiSTOLS
  • Transliteration
Subjects depicted
Summary
This flyer promoted the release of the Sex Pistols single, God Save The Queen, during the Queen's Jubilee in June 1977. In May of that year, the band had signed with Virgin Records, their third record label since forming in 1975. God Save The Queen was to be their first single released on the label. Not only did the song cause much controversy, but so did the artwork. The sleeve's platemakers were offended by the image of the Queen in Reid's design and initially refused to print it. In 2001, however, it was named the greatest record cover of all time by writers of the British rock music magazine, Q.

Jamie Reid's (b. 1947) cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren (1946-2010), later to become the manager of the Sex Pistols.
Collection
Accession number
S.6483-2009

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Record createdJune 19, 2009
Record URL
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